+ Reply to Thread
Results 1 to 2 of 2

Thread: Analogue or Digital - An OLD Question or have things changed a bit?

  1. #1
    Join Date: Jan 2008

    Location: Ocala, Florida

    Posts: 2

    Default Analogue or Digital - An OLD Question or have things changed a bit?

    An OLD Question - Or is the Music Recording Medium Changing???

    Some people ask me... Which is better, analogue or digital?

    Digital or Analogue, that is the question. Or is it? In the light of what’s happening in digital technology these days, the only way I can answer such a question is: “Times are really changing!”

    Looking back now, it seems to me that as soon as the newness of digital recording had worn off, we found that sound quality is still a very key issue. The quality of the sound of digital recording was, and still is, measured by how close it sounds to analog recording.

    Here are some comparisons I have heard, made by professionals, in the studio:

    A - “It sounds great. It has that wonderful Analog distortion!”

    B- “It has that analog warmth to the sound!”

    C- “You know... it sounds very close to analog!”

    What would you say?

    Five years ago I would have said, “Digital recording is sharp and clear, but by itself, as the primary recording medium, it’s a bit harsh to my ear. At that point in time, digital recording sounded to me as if part of the sound was missing. Low volume level dynamics were shapeless and fuzzy. Those criticisms are now a thing of the past, at least for me. However, there are a few sonic issues when recording music 100 percent in the digital domain, that bother me.

    A couple of years ago I would have answered the “Is Digital music recording superior or is it Analogue superior ” question with, “I don’t think either is better, merely different”.

    Well, digital sound, as it applies to music recording, has made tremendous progress in the past year or two. For instance, with the introduction of high-resolution digital recording at 96 khz - 24 bit, or Sony/Philips’ DSD technology, the sound of digital recording has improved drastically.

    Today I would have to say that I am using the Digital Recording Medium as a primary recording medium “almost all the time”, now. Please notice that I said, “almost all the time”. I do occasionally find a song that likes to be recorded or mixed to analogue better than digital. What I am saying is that there are songs that actually prefer to be recorded in a specific medium. I found out long ago that, as an engineer, producer or artist, you cannot impose your intent over the sonic personality of a piece of music. You cannot record or mix a song to digital, or analogue either, for that matter, just because you want to! The music always wins out! Let the music tell us what it wants!

    I must say that what the digital recording medium does well, it does dramatically well. For instance, digital recording is very robust. Digital recording is very consistent. Every time you play a digital recording it sounds the same. This is not necessarily true with analogue recording.

    The bottom line in any music recording or mixing situation is to listen to the sound of the music with your ears first, but then ask your heart, “Is this the way I want my music to sound?” or better yet ask your heart, “Is there any way I can make it sound better?”

    What do you think????

    Bruce Swedien


  2. #2
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Bruce,

    Welcome to the forum

    Did you find us from the link in The Audio Circle?

    I agree with Rob - excellent first couple of posts! We look forward to many more of your contributions like that in future. I shall make a suitable reply at the first available opportunity.

    Would you mind, though, if we moved your posts to The Blank Canvas (general hi-fi discussion) area of the forum where they deserve to be located and where they will likely be seen by more people? This bit of the forum is pretty much just for saying hello, and your "Hello" was just a bit too good, if you see what I mean!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


+ Reply to Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •