Pictures of the turntables and tonearms, any comments would be interesting.
www.iota-audio-design.com
Pictures of the turntables and tonearms, any comments would be interesting.
www.iota-audio-design.com
Yep the deck looks nice but what do you want us to comment on? Probably none of us have seen or heard this deck before!!!!!
SS
CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10
VALVE
PRE Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker
Location: Near Saffron Walden, Essex
Posts: 7,090
I'm Dave.
Should this be in the Trade section ?
Hi Nigel,
Have you paid for a trade account? It's just that I can't find any record of such. If you have, could you advise me of your trading name (on your Paypal account, for example) and how you made payment, via PM, if preferable
Cheers
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
For any confusion I may have caused..especially if I put the post in the wrong section... Sorry I'm new here!
I was just looking for a reaction to the looks of the products at this stage, as I had assumed the sound quality might be a bit difficult to asses over the internet !!!!! Although on a light hearted note Andrew as I see you are located in Yorkshire I could turn the system up and bit if you like, and then you can confirm if this sounds as good as you say it looks?
Although you never know I am aware of one case of one well known reviewer who wrote a glowing review of a product, and when the manufacturer got it back it had never been out of the box and the review content turned out to be just their press release copied and pasted.. guess who?
So my reason for the post was I would like to get peoples reaction purely to aesthetics of the products nothing more, and Marco I have sent you a copy of your email confirming our payment.
Location: Dagenham Essex
Posts: 11,215
I'm Allen.
It certainly is a different look at a TT , Not sure extruded alloy is the best option for the plinth ? frame / body of the TT
What type of bearing does it use ?
Interesting arm design , Is it your own make or someone else's ?
More details ARE required re the build / components used
Is it direct drive as I can't see a motor ?
[
Hi Nigel,
No problem, and sorry for the confusion. It's just when I was checking for your account payment, nothing was showing under "Iota-Audio-Design", but instead under NB
Also, I need to open up a dedicated sub-forum for you under the name of Iota-Audio-Design, so until that's been done, and this thread can be moved into it, we'll leave it here
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Your more than welcome to fetch the deck round to my house if you want. Whilst aesthetics are important it's how the thing sounds. Looks like you've put some thought into vibrations suppression into the platter with external psu and vinration absorption on the arms of the platter. Is the tonearm decoupled?
SS
CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10
VALVE
PRE Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker
Would prefer it with an S type arm looks wise. Perhaps lose the cork too . Interesting design though
Regards,
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Hi Audio Al,
Not sure there is a “best option” for the material for turntable chassis /plinth material, no more than there is an ideal material for a speaker cabinet, as all materials have some problems, but I do agree if extruded alloy was to be used with out due allowance for additional damping and energy control it could create as many problems as it cures.
The extruded aluminium section is stiff strong and relatively light, especially compared to say a solid metal chassis, and it does therefore not store as much energy, whilst its also still capable of providing a clear energy path for unwanted energy and vibration, and as the only options are motion or heat to dissipate vibration that's all kind of important. The sections are essentially hollow so lots of space for the application of damping, and the complicated shape of the section does tend to help especially when this also allows you to attach additional damped structures to it!
Each of the T/T designs use belt drive, and its an AC motor, with our own design of turntable power supply, based upon a design we have been building for many years.
The arm is my own design, and its made in carbon fibre, but Pultruded rather than roll wrapped so immensely stiff and strong along its length. Its obviously square in section externally but internally its round. Once again lots of attention to damping. The tonearm is suspended but also sits on the cone of a control point underneath.