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Thread: Class DAmps

  1. #11
    Join Date: Jan 2008

    Location: Gerrards Cross

    Posts: 3,000
    I'm Tony.

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    Anthony,

    I would agree whole-heartily with the quality psu sentiment, we have some deigns, which produce a mere 120Wrms, yet can switch at 25n/s, ultra-quiet, yet supremely musical, fluid, and involving and generate serious amps of current, run little more then tepid in temperature.
    They do require top spec cores, balanced design, we use 2 tx's, tie the '0' volts together and use each tx as separate '=' and '-' supply rails. This along with some special bridges and purposely designed smoothing caps makes for 'proper performance'

    Ashely,

    For every one who dislikes a product another one with make it work :-)
    I cite a recent event that happened at an quality emporium, not too far from your good-selves close to 2 weeks ago. Were a gentleman went to audition a pre-power combination from yourselves, against a integrated class 'd' amplifier.
    Consequently the owner of the emporium was so taken with the product (it had shown the door to the combo, comprehensively he was auditioning) he wanted the gentlemen to leave the product there! A true happening Ashely.
    Perhaps there is no accounting for taste possibly!
    Coherent Systems
    Real high end sound with musicality not hifi

  2. #12
    Join Date: Feb 2008

    Location: Surrey, UK

    Posts: 94

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    Quote Originally Posted by Sand Dancin Donkey Walker View Post
    I also had the RedWine Audio Sig 30.2 Now these baby’s really are special. I have to say very valve like in sound and presentation. A nameless person didn't actually realise he was listening to the RedWine amp rather than my normal Almarro 50125. One big advantage of the RedWine is they are Battery Powered and are disconnected from the mains during use. Therefore no mains to bugger up the sound.
    Andy - SDDW
    I would echo the comments on the RWA 30.2 a bona fide over achiever.

    Nick

  3. #13
    Join Date: Jan 2008

    Location: Gloucestershire

    Posts: 252

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    Mr C. At the risk of starting another fight I'd disagree, I don't see that choosing one device over another on the day as proving anything, because it's my experience customers often realise later that they've made a mistake. To my mind, if something measures right it is right and if it doesn't it isn't and people invariably eventually realise.

    I'll cite an example. Some years ago we put a CD player into What Hi Fi for review, and as you know we design these things using the DAC manufacturers evaluation boards to make absolutely certain that ours sounds and measure the same, or that we've followed their instructions. There's no other way to do it, except wrong. Therefore we knew it was right and should do as well as the best. In the event it was described as: "Sweet sounding, laid back and more detailed than the others in the groups, but lacking their hard edge attack and excitement". In other words, ours was right and the rest were wrong and the reviewer had made a serious mistake. Needless to say a very good selling CD player stopped selling and we got numerous calls and complaints from people with a complete AVI system who substituted a five star CD player for ours and didn't like the harshness. They rather illogically assumed the amp's sound had changed and were reluctant to believe What hi fi could make a mistake.

    It is for this reason that I've appeared on various message boards, not so much to sell AVI above all else, which I don't think would work for reasons discussed, but to counter dealers who argue that it's all lovely and that you must choose what's right for you. Bollocks and double Bollocks! say I, you're better offer armed with knowledge that helps you to understand the hearing process and that helps you select something that you can live with in the long term. Dealers need to stock and support a wide range of products and magazines need to sell magazines. We'd like you to buy AVI, but would still be happy if by using better methods to help the decision making process you buy something else that does the trick.

    Ash

    PS and this will cause grief - ADM9s have the highest customer satisfaction rate that we've ever seen, it might be 100%!!!! As you know, we've a strong following but this amounts to more.
    Last edited by Ashley James; 20-04-2008 at 13:20.

  4. #14
    Join Date: Feb 2008

    Posts: 424

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    I dunno about "tastes", some people are too "naive" (nice word for ignorant, due to insufficient education) to recognize a good thing when they see it.

    Class D, is an old valve amp technology, which was in use primarily to provide servo amplifiers in control systems. It fell out of use about 40 years ago when digital techniques became popular, and solid state devices being smaller and more powerful took over.

    Class D, just means it's a pulse width modulated amplifying device. It requires a high frequency oscillator approximating to a square wave which chucks out prodigious quantities of hash at all sorts of frequencies, which then has to be filtered out at the outpuy stages. Because of all this filtration and the inductive nature of loudspeakers, the damping factor or "grip" of the class d amp is poor.

    You can't polish a class D amp, or not much anyway.

    BTW Class D just means pulse width modulated, due to the bias state of the amplifying stages. It is nothing to do with digital amplifiers.

    I'll return to being a grump old sod shall I ?

  5. #15
    Join Date: Feb 2008

    Posts: 424

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    BTW for those who remember them, "Sinclair" "Radionics" used to sell 50watt amps that cost about £4-19-11d for DIY'ers to put in their own cases. They were class D.

  6. #16
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Indeed. Pure Class A is where it's at, especially when the circuit is used in conjunction lovely glowing bottles...

    Ashley,

    To my mind, if something measures right it is right and if it doesn't it isn't and people invariably eventually realise.
    Oh how I vehemently disagree with that!!

    But I don't have the energy to argue with you today, after a long drive home late early this morning. I'm sure others will fill in for me, though.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #17
    Join Date: Feb 2008

    Posts: 424

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    Class A is indeed very good, but impractical except at low power, this cause amplifiers to be designed with "acceptable soft clipping" which of course leads to considerable distortion and produces "musicality" amd "involvement" which many people like.

    In modern ss designs this type of distortion is often re-introduced as "valve sound" or "British Eq".

    There is nothing wrong with class A as long as you don't need more than about 0.5 watts with 10 watt peaks.

    It's very suitable for a headphone amp but not much else.

  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hahahaha...quite. As they say in Scotland, JC, 'Yer heid's full of broken bottles'

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #19
    Join Date: Feb 2008

    Posts: 424

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    After the lapse in time some of us can look fondly on this advertisement.

    However at the time "Wireless World" refused to carry the advertisement as the advertising standards people said it was "not capable of being substantiated"

    Some things in hifi never change .

  10. #20
    Join Date: Jan 2008

    Location: Gloucestershire

    Posts: 252

    Default

    Marco although it's no longer the case, Class A sounded better because it avoided crossover distortion and THEREFORE MEASURED BETTER. However, that's no longer the case and it now has no advantages only disadvantages. You just cannot get enough power out of one for modern recordings and clipping Class A is just as nasty as clipping Class B.

    Measurements tell a good engineer everything and the rest of the world very little and therein lies the problem.

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