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Thread: Is there a place for old tech in the 21st Century?

  1. #261
    Join Date: Oct 2008

    Location: Glasgowshire

    Posts: 9,678
    I'm Gary.

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    Quote Originally Posted by danilo View Post
    For years ( Too many) I used a Trinitron type CRT screen for design work.
    Big bulky things admittedly, especially so in the necessary to needs larger sizes.
    Switch over to Flat screens was met with serious complaints from most all colleagues in our profession..pretty well from the start.
    There was advantage in that one could fit flat 2 screens side by side though.

    However accuracy and simple line detail presentation of the Old tech Trinitron designs was (is) wayyy better.
    Definitely more life in the crt images, but that was secondary to the fine detail losses.
    This despite ALL claims to massively 'improved' resolution numbers.
    Fairly simple proof in simply viewing the two types.. side by side.
    Curiously new/young designers, who had never used a Decent CRT, have no experience of what or if, of any of this.
    Simply another 'in my day' babble.
    .
    Hmnn...
    Appreciate what your saying (First job used a Sony Pro monitor for running AutoCad release 9 with a digitising tablet...old man alert!) so I've also been there "back in the day" and taking all relevent points on board....sometimes though nostalga aint what it used to be.

    Honestly, much happier using my current CAD multi 4K monitor setup, some things do change to be more convenient, but sometimes there is genuine progression.
    Last edited by Gazjam; 04-06-2016 at 18:41.
    AC POWER
    Hardwired 10kVA balanced mains powering entire system
    AMPS
    Meridian 557 power Amp (Modded) / PS Audio BHK Preamp (Modded)
    SPEAKERS
    Wharfedale Evo 4.4
    DAC
    PS Audio Directstream (Modded)
    TURNTABLE
    Pro-Ject X8 balanced output via XLR / Ortofon Quintet Blue cartridge
    PHONOSTAGE
    Pro-Ject DS3 B balanced Input (TT and Phonostage powered by Pro-Ject Power box RS2 linear psu)
    DIGITAL
    OPPO 203 (Modded: Linear PSU, i2s output to Dac) - Roon Endpoint, HDMI input used for all things Streaming/ PS5 /AppleTV ... also good for movies apparently?
    MUSIC PLAYBACK
    Tweaked AP-Linux based Roon Server into Oppo 203 as Roon endpoint
    Ipad Roon Remote.
    Apple Music/ YouTube via AppleTV, fed to Dac via Oppo HDMI input/i2s output to Dac.
    SPEAKER CABLES
    Biwired: Duelund DCA10GA (Bass) Duelund DCA16GA (mid & treble) Duelund 12DCA used as jumpers (On
    "Blackcat Cable" Chris Sommivigo's advice - yup, even with biwire it sounds better - and it does)
    INTERCONNECTS
    All Balanced: Ghost+ recording studio XLR cables

  2. #262
    Join Date: Feb 2009

    Location: Surrey, England UK

    Posts: 591
    I'm Stewart.

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    Quote Originally Posted by Marco View Post
    As a piece of engineering, and 'old tech', that is just simply stunning! £75k? That's just mental...

    As you say, the little screen is well cool. Now, even though I'm observing the colours through a modern computer screen, I can still tell by looking at them how much richer and warmer they look, compared with the colder and 'acid-toned' variety, produced by today's equipment

    Perhaps Stewart knows where I'm coming from here?

    Marco.

    Hi Marco - yes see where you are coming from. The overall quality of full bandwidth PAL as we used to see throughout Television Centre particularly in the VT recording areas was at the time second to none - always very warm, rich and even having passed through a transmission chain in a well fed reception area did look absolutely stunning.

    The VTR's as you see in the picture were capable of recording the full bandwidth of the composite signal which was 5.5 MHz - their analogue response to tape of these signals was flat. On replay their Timebase Correctors would stabilise the image to within 3nS of timing so even several generations down which was required sometimes for editing the quality was nothing less than excellent.

    The BBC had a policy of only ever transmitting MASTER tapes. No safety copies were made as only trained engineering staff ever handled them or the machines.
    Stewart.

  3. #263
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Stewart,

    Thanks for that. So cutting through the 'tech speak', which flies straight over my heard, and to summarise, there's a genuine reason why I'm seeing what I'm seeing, in terms of the colour thing I described earlier?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #264
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by danilo View Post
    For years ( Too many) I used a Trinitron type CRT screen for design work.
    Big bulky things admittedly, especially so in the necessary to needs larger sizes.
    Switch over to Flat screens was met with serious complaints from most all colleagues in our profession..pretty well from the start.
    There was advantage in that one could fit flat 2 screens side by side though.

    However accuracy and simple line detail presentation of the Old tech Trinitron designs was (is) wayyy better.
    Definitely more life in the crt images, but that was secondary to the fine detail losses.
    This despite ALL claims to massively 'improved' resolution numbers.
    Excellent, mate. Thanks for outlining your experiences in this area, which also align with mine. As ever, with most things in life, rarely is anything newer automatically better than its predecessor in every area. There are always compromises to be had

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #265
    Join Date: Mar 2008

    Location: Halifax, UK

    Posts: 1,399
    I'm Nick.

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    This is insane, no one has said anything that agreers with you Marco, all they have both said is that CRT's are capable of very good results (which no one is disagreeing with). They have carefully (I suspect) avoided the issue of how you can see those good results from the CRT when you are using a LCD to view the picture, which type of display you are saying is not capable of those good results. Ignoring all the other stages that picture may have gone through before it gets posted as a jpeg on the net and makes it to your laptop.
    Nick.

  6. #266
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    "Insane" or not, Nick, it's my opinion, and for good reason, so please respect it. Danillo also shares some of my experiences. John agreed with me earlier, too. I'll wait until Stewart returns to answer my question, thanks, before assessing things further.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #267
    Join Date: Oct 2008

    Location: Glasgowshire

    Posts: 9,678
    I'm Gary.

    Default

    *Edited for reasons of having said something silly and OTT, my fault.
    Last edited by Gazjam; 05-06-2016 at 09:00.
    AC POWER
    Hardwired 10kVA balanced mains powering entire system
    AMPS
    Meridian 557 power Amp (Modded) / PS Audio BHK Preamp (Modded)
    SPEAKERS
    Wharfedale Evo 4.4
    DAC
    PS Audio Directstream (Modded)
    TURNTABLE
    Pro-Ject X8 balanced output via XLR / Ortofon Quintet Blue cartridge
    PHONOSTAGE
    Pro-Ject DS3 B balanced Input (TT and Phonostage powered by Pro-Ject Power box RS2 linear psu)
    DIGITAL
    OPPO 203 (Modded: Linear PSU, i2s output to Dac) - Roon Endpoint, HDMI input used for all things Streaming/ PS5 /AppleTV ... also good for movies apparently?
    MUSIC PLAYBACK
    Tweaked AP-Linux based Roon Server into Oppo 203 as Roon endpoint
    Ipad Roon Remote.
    Apple Music/ YouTube via AppleTV, fed to Dac via Oppo HDMI input/i2s output to Dac.
    SPEAKER CABLES
    Biwired: Duelund DCA10GA (Bass) Duelund DCA16GA (mid & treble) Duelund 12DCA used as jumpers (On
    "Blackcat Cable" Chris Sommivigo's advice - yup, even with biwire it sounds better - and it does)
    INTERCONNECTS
    All Balanced: Ghost+ recording studio XLR cables

  8. #268
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Gary, that's extremely patronising, so I suggest that you delete those remarks, or I will.

    What happened to the let's just 'agree to disagree' we settled on earlier? Was it all just hot air? Obviously, as far as you're concerned, it was. I won't be forced into agreeing with something I fundamentally disagree with, simply because my opinion differs from that of the so-called 'experts'!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #269
    Join Date: Mar 2008

    Location: Halifax, UK

    Posts: 1,399
    I'm Nick.

    Default

    Can I just check, just what your opinion is as I am getting a bit lost?

    Is it that LED's are incapable of producing as good results as CRT's? Or that some LED's have a worst display than some CRT's and vice versa?

    If the second, then I dont think anyone is disagreeing with you. if its the former then if you can see the difference on your laptop then your observation is contradicting your assertion. I am not questioning your opinion or your observation, I am questioning the chain of logic you seem to be using to align your opinion with your reported observation.
    Nick.

  10. #270
    Join Date: May 2016

    Location: South Yorkshire

    Posts: 905
    I'm Andr'e.

    Default


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