Of the Hana I can tell you nothing. But I can share a view on the AT33PTG/II.
I'm currently using one and it's gradually caused me to change my opinion of AT cartridges, to the point where it's now a permanent resident in my arm and the SAE 1000LT now lives carefully tucked away in a drawer - and I never thought that would happen.
It does require careful set up though to get the best from it and you do need to put some some hours on the cart before it starts to give of it's best (where've we heard that before?). Fine adjustment of the anti skate allowing the stylus to "float" centrally in the groove really paid off - something I'd previously scoffed at. Oh, and partnering kit plays a huge part in whether this works for you or not.
My 33 is now sweet and insightful and exhibits NONE of the nasty traits sometimes levelled at AT MC cartridges: in particular no sibilence or spitty over bright treble. Bass is taught, clean and well controlled rather than just a mass of low end power. Perfect? No. If I had a mix of some of the SAE's bottom end and the AT's top it just might be: overall I think I'm trading boogie for accuracy - both enjoyable traits when the time is right but as mentioned it's the AT33PTG/II that stays in situ now. I also found it to be quite an improvement on the ATOC9/II from the same manufacturer.
Buying cartridges is absolute agony. You can't really tell until you get it home, in your room with your kit and after you've sat listening for as few days. I doubt this is the last cartridge I'll ever buy but if future adventures turn out to be duds I'll be quite happy to go back to the 33.
Source: Orbe SE / SME IV / Cadenza Bronze
Source: WD NAS / Cyrus Stream X2 / Chord DAVE
Source: Oppo UDP-205 (CD/DVD-A/SACD)
Amplification: Icon Audio PS 3 Sig Phono + Audio Research LS27 + Musical Fidelity A5cr Power Amp
Loudspeakers: ProAc Response D28
Cables/stands: Mark Grant G1500HD + Linn K20 + Cat 5e
Other bits: Okki Nokki keeping things clean