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Thread: Macca's Lash Up 2: Lash Harder

  1. #181
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Macca View Post
    Had to stop to cook my tea...
    So what culinary delights await you this evening - have you tried that bottle of red I left with you yet (the one you're not taking over to your brother for Christmas)?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

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  2. #182
    Join Date: Oct 2012

    Location: The Black Country

    Posts: 6,089
    I'm Alan.

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    Sounds like it is working out very well for you Martin, great result

    Will come over some time to have a listen

  3. #183
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,886
    I'm Martin.

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    Quote Originally Posted by Marco View Post
    So what culinary delights await you this evening - have you tried that bottle of red I left with you yet (the one you're not taking over to your brother for Christmas)?

    Marco.
    Sirloin steak and broccoli. It was good. Not had a go at that wine yet, can't do a whole bottle in one night with work tomorrow and it doesn't have a screw cap.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  4. #184
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,886
    I'm Martin.

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    Quote Originally Posted by Firebottle View Post
    Sounds like it is working out very well for you Martin, great result

    Will come over some time to have a listen
    Aye come on over when you can. It's all bit different from last time you were here.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  5. #185
    Join Date: Sep 2014

    Location: Northern Ireland

    Posts: 1,403
    I'm John.

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    Cracking looking amp Martin.

    Wouldn't mind hearing that myself.

    Could you turn it up a bit please, I've an east facing window I'll open.

    Some old ZZ Top would be nice

  6. #186
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,886
    I'm Martin.

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    LOL got ZZ Top's first album lined up for the next spot. Great minds think alike.

    It is a purposeful looking thing. What with that and the speakers it does look like I'm taking it seriously.

    Always been fascinated by Krell. Recall reading about them in the early 'Nineties and whilst I made the name connection with Forbidden Planet I thought it was just a coincidence. Figured the company was owned by someone called Jim Krell or something - you know what crazy names some of these Yanks have. When I found out they had pinched the name from Forbidden Planet I decided they were too cool for school. Never thought I would get to have one in my system though.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  7. #187
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

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    Yeah. I always fancied a Krell. But I'm very happy with my 'mini Krells'.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  8. #188
    Join Date: Sep 2014

    Location: Northern Ireland

    Posts: 1,403
    I'm John.

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    You'll need this next.

    http://theartofsound.net/forum/showt...Krell-KAV-250P

    Love spending other people's money.

  9. #189
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,886
    I'm Martin.

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    Quote Originally Posted by JohnJo View Post
    You'll need this next.

    http://theartofsound.net/forum/showt...Krell-KAV-250P

    Love spending other people's money.
    I'd be lying if I said I hadn't been looking at that earlier...but I already have a stepped attenator passive pre and according to Jez (and some other double e types) you can't get better than that. When I went passive it was that moment where you think 'F**K me this is the sound I've been looking for'- or at least the basis of it - so doubt I would ever go back to active.

    I'm mainly digital source and I don't care what anyone says, for me digital sounds miles better with a quality passive pre. It brings out its strengths.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  10. #190
    Join Date: Sep 2014

    Location: Northern Ireland

    Posts: 1,403
    I'm John.

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    Quote Originally Posted by Macca View Post
    I'd be lying if I said I hadn't been looking at that earlier...but I already have a stepped attenator passive pre and according to Jez (and some other double e types) you can't get better than that. When I went passive it was that moment where you think 'F**K me this is the sound I've been looking for'- or at least the basis of it - so doubt I would ever go back to active.

    I'm mainly digital source and I don't care what anyone says, for me digital sounds miles better with a quality passive pre. It brings out its strengths.
    Yes, have to agree, that has been my experience too.

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