Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
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Sounds like it is working out very well for you Martin, great result
Will come over some time to have a listen
Cracking looking amp Martin.
Wouldn't mind hearing that myself.
Could you turn it up a bit please, I've an east facing window I'll open.
Some old ZZ Top would be nice
LOL got ZZ Top's first album lined up for the next spot. Great minds think alike.
It is a purposeful looking thing. What with that and the speakers it does look like I'm taking it seriously.
Always been fascinated by Krell. Recall reading about them in the early 'Nineties and whilst I made the name connection with Forbidden Planet I thought it was just a coincidence. Figured the company was owned by someone called Jim Krell or something - you know what crazy names some of these Yanks have. When I found out they had pinched the name from Forbidden Planet I decided they were too cool for school. Never thought I would get to have one in my system though.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.
Yeah. I always fancied a Krell. But I'm very happy with my 'mini Krells'.
It is impossible for anything digital to sound analogue, because it isn't analogue!
You'll need this next.
http://theartofsound.net/forum/showt...Krell-KAV-250P
Love spending other people's money.
I'd be lying if I said I hadn't been looking at that earlier...but I already have a stepped attenator passive pre and according to Jez (and some other double e types) you can't get better than that. When I went passive it was that moment where you think 'F**K me this is the sound I've been looking for'- or at least the basis of it - so doubt I would ever go back to active.
I'm mainly digital source and I don't care what anyone says, for me digital sounds miles better with a quality passive pre. It brings out its strengths.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.