+ Reply to Thread
Results 1 to 8 of 8

Thread: Issues of phase coherence and timing...

  1. #1
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

    Default Issues of phase coherence and timing...

    The key to enjoying your music collection at all hi-fi levels

    Originally posted by Marco:

    One thing though, I'm 100% convinced that streaming lossless files via a PC/laptop and high quality media player, connected to a top-notch DAC (such as my DAS-R1), or a similar quality computer audio set-up, produces results that *NO* CD player can replicate, regardless of cost - purely because of the lack of mechanical interfaces in the chain and the sonic signature they impose on the sound.
    I still have some phase coherence/timing issues regarding computer audio. As long as they are addressed I'll be happy to proceed.

    We had a chat on the phone yesterday during which you stated that you were less concerned with issues of timing than I am, suggesting that timing is something, if important at all, that can just drop into place when all other aspects of so-called realism have been addressed.

    Me, I'm not so sure. I think it entirely possible that you can have a system that gets all the musical fundamentals spot on, including timing. You then upgrade it in various different ways, revel in and wax lyrical about the improvements to detail, timbre, tone, dynamics, scale, harshness removed etc. only for it to dawn upon you some weeks or even months later that the very essence of musical enjoyment has quietly slipped away in all those extra hi-fi improvements.

    Timing really is the key. To me it does not fall into place by accident and without it the music is devoid of meaning or soul. It is also what gives us the sense of tunefulness. Human emotional responses live or die by it so lets not neglect it in our quest for hi-fi nirvana.

    My new Pure sound A30 valve amp is truly excellent in the timing department in part because it is very (subjectively at least) tonally neutral allowing the entire frequency spectrum an equal say in allowing all the musical info on the disc, and hopefully the rest of the audio chain, to reach my ears. I'm looking to have this amp modified extensively in the coming weeks and I hope that whatever improvements in terms of refinement and insight that can be derived from any modifications will also enhance this particular quality above all else.

  2. #2
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    For me it's simple, Steve: good hi-fi equipment (and that's the only kind I buy ), set-up properly, gets the timing right along with everything else. It comes as part of the 'package'. And incidentally, “good” doesn’t necessarily mean expensive.

    We're slightly different in the way we listen when judging equipment. I simply select equipment which my ears tell me is 'getting it right' as per my own listening criteria. The timing aspect you're referring to falls into place naturally - I don't 'look out for it' or analyse it in the way you do.

    Have you ever known me to own a system which doesn't get the timing right? And yet I don't actively 'seek out' this aspect of the presentation, so that should answer your question. My Naim system done it with aplomb (despite having other aspects of its presentation which were lacking) and my current system has no difficulty either in this area, as you well know

    Regarding computer audio, with respect, you haven't heard enough of it yet in the right circumstances to form any worthwhile conclusions. You need to come up and listen to Ian's Helios media player streaming lossless files through my DAS-R1 DAC and compare the same music played through my X-777ES CDP on CD (with the DAS-R1), which is a very, very good CDP & DAC combo, and hear the former annihilate the latter to appreciate what I'm saying. I stand by what you quoted because that's what I've heard. You will probably hear it too when you obtain the external DAC for your Bel Canto and explore the high-end computer audio route yourself.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #3
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

    Default

    Regarding computer audio, with respect, you haven't heard enough of it yet in the right circumstances to form any worthwhile conclusions. You need to come up and listen to Ian's Helios media player streaming lossless files through my DAS-R1 DAC and compare the same music played through my X-777ES CDP on CD (with the DAS-R1), which is a very, very good CDP & DAC combo, and hear the former annihilate the latter to appreciate what I'm saying. I stand by what you quoted because that's what I've heard. You will probably hear it too when you obtain the external DAC for your Bel Canto and explore the high-end computer audio route yourself.
    I still intend to explore the computer audio route as and when I get a separate DAC.

    As I said,

    I still have some phase coherence/timing issues regarding computer audio. As long as they are addressed I'll be happy to proceed.

  4. #4
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Don't worry your sweet little head about it, darling

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #5
    Join Date: Jan 2008

    Location: Gloucestershire

    Posts: 252

    Default

    Virtually all the music you buy and the films you watch are made by computers so how can there possibly be any disadvantage to replaying your music the same way.

    As someone who has to relate a listeners comments to a possible fault, I have to say I don't understand the meaning of "Timing" in this context. The Hard disc in a computer is the equivalent of a CD but the read mech is better, which means you'll always get the same read every time whereas you won't with a CD because of Forward Error Correction and Interpolation (guessing or muting). Once you have noughts and ones, it's the same for both systems.

  6. #6
    Join Date: Jan 2008

    Location: Gloucestershire

    Posts: 252

    Default

    The Term Phase Coherence is used to describe the music coming from the tweeter and bass driver where they overlap or crossover. Because both are audible together over quite a wide area, it's important that the signals arrive simultaneously and that one does not lag behind the other. If it does then the speaker is not Phase Coherent and will sound at best harsh or if it's really out, you get the same effect as having wired one of a pair of speakers back to front but over a slightly narrower band of frequencies.

    For an area at least an Octave each side of the crossover, the signals to both drive units must arrive at exactly the same time. The difficulty is that in reducing their output, a designer will also have changed their time of arrive of arrival. However Mr Linkwitz and Mr Riley worked out filter (crossover) shapes that would give a known change of phase and amplitude, so that it was possible to get it right, although you wouldn't think so to listen to many loudspeakers.

  7. #7
    Join Date: Feb 2008

    Posts: 424

    Default

    Steve, (sweety-pie) just for me, please, please, - pretty please, go and buy and edirol ua25 and have a go with it for a few days.

    I would be really interested to know what you think of it

  8. #8
    Join Date: Jan 2008

    Location: Gloucestershire

    Posts: 252

    Default

    http://www.dolphinmusic.co.uk/page/s...roduct_id/4001

    JC Can you use it as a stand alone DAC as well with a power adaptor and an Optical Digital in or are you tied to USB use only?

    Presumably it'll better the Benchmark as well as offering more facilities because it's nine year younger technology?

    Ash

+ Reply to Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •