Originally Posted by
Rothchild
I'm somewhat bewildered by this, how can cable make 'night and day' differences and command ridiculous prices in an unbalanced format but 'not have a sound' if presented in a balanced format? (especially over the short distances we're talking about in terms of interconnects)
If this was actually the case why would hi end hi-fi manufacturers not take the opportunity to remove this variable from the quality of their gear and just make it all use balanced connectors?
Sorry op, I don't have a cable to lend you, but I am intrigued to see how this pans out.
Read Strat's post above yours for one technical reason.
Also the most cable and materials fanatic manufacturer I know (LFD) doesn't even make XLR cables anymore.
Mana Acoustics Racks / Bright Star IsoNodes Decoupling >> Allo DigiOne Player >> Pedja Rogic's Audial Model S DAC + Pioneer PL-71 turntable / Vista Audio phono-1 mk II / Denon PCL-5 headshell / Reson Reca >> LFD DLS >> LFD PA2M (SE) >> Royd RR3s.