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Thread: Hello everyone

  1. #1
    Join Date: Nov 2015

    Location: CA USA

    Posts: 2
    I'm Andrew.

    Default Hello everyone

    I'm a fan of time and phase coherence. First order crossovers or single driver speakers are the only ones I can enjoy listening to for long periods of time. It may be because I have a lot of experience with playing classical musical instruments. I'm starting to understand how time/phase coherent designs place great demands on driver quality, so I'm developing an appreciation for the importance of the low impedance (Le) spec, combined with a flat frequency response, as well as harmonic distortion graphs. And an appreciation for expensive speaker drivers.

    I'm currently using Class D amplification. Would love to get into Class A but the power usage / running costs are hard to justify. My nCore NC400 amps are very listenable though. For a source I had built a PC-based audio system about 15 years ahead of its time (back in 2000), with CDs ripped onto my 40 GB hard drive. Nowadays I pretty much only listen to streaming music - convenience and musical variety wins over quality, sad to say.

    Audio is a fascinating hobby full of tradeoffs that force you to constantly re-examine your priorities. For instance, the difference in speakers between a sealed enclosure and open baffle enclosure is the sealed enclosure can provide better low-end frequency response and power handling, at the cost of higher low-end second order distortion. The lower frequency response allows you to go further without requiring a crossover, which always affects phase. So essentially an open baffle is also trading off phase performance at the low end. Now, how much second-order distortion is worth a later onset of phase rotation? This dilemma provides endless entertainment.

  2. #2
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Andrew,

    Great introduction! Welcome to AoS

    Hope you enjoy the forum and we look forward to reading your contributions!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

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  3. #3
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

    Default

    Hello Andrew. Welcome to AOS.

    What music do you listen to? Please tell us more about your system and add some photos to the Gallery if you like. They'll be appreciated.

    I agree with your views on speakers and have a preference for point sources myself.


    Enjoy the forum,
    Geoff.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  4. #4
    Join Date: Mar 2012

    Location: London and Somerset

    Posts: 2,097
    I'm Dave.

    Default

    Hi Andrew , welcome to AOS, enjoy the forum.
    Kraken, Saturn, Emotion, Flying V Rocket, Planets.

  5. #5
    Join Date: Nov 2015

    Location: Woking, England

    Posts: 24
    I'm Ceri.

    Default

    Hi Andrew,

    I've just joined AOS myself, through my company banner 'CODE Acoustics', but first and foremost I'm just a music enthusiast and hi-fi tinkerer. That's a really interesting introduction. I couldn't agree more about the phase issues being caused by conventional passive crossovers. Not helped by dropping the crossover point right in the middle of the most sensitive part of our hearing. I'm also constantly surprised that big brands choose to invert drive unit phase to get a flatter frequency response on axis at the cost of significant phase distortion.

    I've had really good results using a full range driver to cover everything from around 300-400Hz up and then using dedicated woofers. In this mode the cone movement of the full range is tiny and really clears up the midrange.

    I've yet to try the NCore amps, but I've heard really good things. We're using the miniDSP plate amp, which incorporate the B&O ICE Power modules. Not too dissimilar from the Hypex modules.

    You're absolutely right about the compromise of designing speakers. There is no such thing as a perfect way to design a speakers and I think that's what makes it so fascinating!
    Ceri
    MD CODE Acoustics
    www.code-acoustics.com

    Code Acoustics SYSTEM-1 (3-way active speaker system) + Auralic Aries digital streamer

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