Going on now almost 4 weeks with the Croft amps in the system, using my Naim Uniti as source only, and things sounding very, very good. Compared to the Naim amps, the Crofts just present a more natural, subtle smoothness to the overall picture. The Naims could be a bit hard edged, that is all gone now, providing of course, that the recording itself isn't that way. It took me awhile to kind of wrap my head around the differences in my system, but am loving it so far.
I have found the twin gain controls to be quite superb, and very useful for balance. I know many do not like them, and yes, I am sure there are better pots too, but these do the job very nicely in my opinion, not sure what the fuss is all about at times. I basically don't get worked up about them being in the exact spots, just set them and go, job done.
Currently using the stock Edicron valves that came with the units, and frankly am in no hurry to try anything else, as I really just want to get a good feel for them in their stock form. There really isn't anything I can complain about, these amps are simple, and I find the "styling"-if one could call it that, very appealing to me. I am not a "bling" person at all, so this fits. Purely functional, and I also thank Glenn for using the good old green/red LED's instead of nasty, piercing blue!
The main thing of course is that the darn things just sound superb for not a ton of cash. Have to say I am kind of hooked on them! So much so, that I am really itching to get my Nagaoka MP-110 cartridge on a turntable soon and check out the phono stage in the Micro. I just have to figure out what table to go for once I have saved back some money. More to come.
Holbo TT-Nag 110-Croft phono/Innuos Zen MK2/LinnenberG Telemann DAC-Preamp/LinnenberG Allegro monoblocs/Duevel Venus/LinnenberG Maestro SE-Senn. 660S DH Labs cabling
Croft Series 7 amps, WLM La Scala, Naim Uniti1, Naim Nait XS3, Naim ND5XS2, Guru Junior