+ Reply to Thread
Page 12 of 58 FirstFirst ... 2101112131422 ... LastLast
Results 111 to 120 of 574

Thread: Consider the dear old Shure 97xe...it's £70! And it's great.

  1. #111
    Join Date: Nov 2008

    Location: belgrade serbia

    Posts: 840
    I'm gordan.

    Default

    Quote Originally Posted by paskinn View Post
    Only today a serious dealer in pricey cartridges remarked to me that with some well-known makes, (not Ortofon) every sample sounds a bit different. I've found a lot of sample variation among expensive cartridges in the past, which is another reason I like low-priced but seriously good cartridges.
    It cannot be a Koetsu!
    Gordan.
    Speakers: Oris Swing MkII
    Amps: Thomas Mayer 300b/ Hiraga La Maison de L'Audiophile 20
    Preamp: Silver AVC by eng. Ferenc Lazar
    Phono Preamp: Shishido LCR by Solaja Audio
    Decks: Garrard 301 Martin Bastin reworked/plinthed with Fidelity Research FR64fx
    Garrard 401 in eng Ferenc Lazar solid wenge plinth with SME 3012/2
    Cartridges: SPU Spirit/ Koetsu Black revisited by eng. Salai/ Miyajima Shilabe
    Step Up Transformers: Tango MCT 999/ Ortofon T-5000/ Lumiere SUT
    Digital: Shigaclone by eng. Ferenc Lazar with Lampizator Amber II
    Wires: of sufficient length

  2. #112
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,626
    I'm Geoff.

    Default

    Quote Originally Posted by paskinn View Post
    I like low-priced but seriously good cartridges.
    Such a thing does not exist, unless one has a seriously lucky second hand buy.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  3. #113
    Join Date: Feb 2013

    Location: W Lothian

    Posts: 99,005
    I'm Grant.

    Default

    Suppose it depends on a definition of low priced
    Regards,
    Grant .... ؠ ......Don't be such a big girl's blouse

    I've said it before and I'll say it again: democracy simply-doesn't-work
    .... ..... ...... ...... ................... ..... ..... ..... ..... .....
    FIIO K7 BT, M11 PLUS, BTR7, KA5 - OPPO BDP-103D - PANASONIC UB450 - PANASONIC 4K ULTRA HD TV - PIXEL 6 - AVANTREE LR BLUETOOTH - 2* X600 SOUNDCORE - HEADPHONES INCLUDE, FIIO, NURAPHONES', FOCAL, OPPO, BOSE, CAMBRIDGE, BOWER & WILKINS, DEVIALET, MARSHALL, SONY, MITCHELL & JOHNSTON - 2*ZBOOK'S- MERCURY BD ROM, ROON, QOBUZ, TIDAL, PLEX, CYBERLINK, JRIVER - MULTI HDD'S -

    Oh my god! There's nothing wrong with the bidet is there?

    “Nothing discloses real character like the use of power. It is easy for the weak to be gentle. Most people can bear adversity. But if you wish to know what a man really is, give him power. This is the supreme test. It is the glory of Lincoln that, having almost absolute power, he never abused it, except on the side of mercy".

    “You see these dictators on their pedestals, surrounded by the bayonets of their soldiers and the truncheons of their police ... yet in their hearts there is unspoken fear. They are afraid of words and thoughts: words spoken abroad, thoughts stirring at home -- all the more powerful because forbidden -- terrify them. A little mouse of thought appears in the room, and even the mightiest potentates are thrown into panic.”

    "You don't have free will. You have the appearance of free will.”

    “There's a war out there, old friend. A world war. And it's not about who's got the most bullets. It's about who controls the information. What we see and hear, how we work, what we think... it's all about the information!”


    ***SMILE, BE HAPPY***

  4. #114
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Why are we quoting banned members, daftees? Pasky-chops is hardly likely to pop back and answer you!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #115
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Thumbs up She's in and playing some music!

    Well, I've just installed the Shure, and first of all put my recently purchased NOS N55E stylus on it, which I bought from LP Gear, in the States. It's literally just been popped into the Denon headshell and roughly set-up, in terms of VTA, dialled in at 1.6g (VTF range is .75 - 2g). Bias has been set at 1.3g.

    I always prefer that approach (not fiddling too much with things to start with), until I get a proper handle on what a cartridge is doing, and whether it shows any promise - certainly enough to warrant spending a long time optimising it. Then if I consider the effort is worth it, I will then do the necessary tweaking and set things up properly... In that respect, I find first impressions so important.

    In this case I think it will be worth the effort, as first impressions are rather promising indeed, certainly pointing towards a very nice sounding cartridge. I shall comment more later, after some suitable tweaking. I think that I'm going to like this one, though... Even at this early stage I can hear that, without doubt, the Shure is an unmitigated a bargain!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #116
    Join Date: Sep 2008

    Location: San Diego, CA

    Posts: 251
    I'm Dave.

    Default

    I use that same NOS N55E stylus on my M44G body and have had really good results. It's been years now since I've mounted that cart though.
    Current equipment: Cornscalas - Quicksilver Horn Monos - Technics 1210 M5G with Zu Denon 103R cartride and Haufe SUT.

  7. #117
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    It's rather good, Dave. Really hard to fault - just seems to get on with effortlessly digging the music out of the grooves.... Still tweaking things a little though, so will comment when I've got a proper handle on its sonic and musical prowess!

    One thing's for sure, this is a bonafide hi-fi cartridge, not a 'DJ' one - and a bloody good one at that!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  8. #118
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Thumbs up My summary, now set-up has been optimised...

    So, after some fiddling last night and this morning, I've now got the M55E really singing... It seems to be happiest tracking at 1.7g (thus allowing the requisite amount of detail retrieval and solidity), with the bias set at 1.5g, and the arm absolutely parallel with the record surface.

    The (superb quality) 6N headshell wires have also been neatly 'dressed' in the Denon headshell, and alignment and azimuth of the cartridge fastidiously optimised. The cartridge output pins were also thoroughly cleaned with Deoxit, as after all the cartridge was second-hand and rather old.

    As usual with these types of cartridges, I obtained some sonic benefit from removing the supplied cheap plastic stylus guard, which if left in situ, simply vibrates and colours the music, causing some blurring and muddling of voices and instruments, an effect which is completely gone once the stylus guard has been removed. I am also confident that the M55E likes a bit of mass, as supplied by the partnering 14g Denon PCL-300 headshell and chunky (non-ferrous) stainless steel allen bolts used.

    As a result, I suspect that the Shure wouldn't sound quite right, or reveal its full sonic potential, housed in the rather flimsy and lightweight headshells it would've found itself in during the 1960s and 70s. Adding some more mass in that way (mainly by using a heavier, very inert and solidly constructed headshell), simply gives the sound that the cartridge produces more 'heft' and authority, as well as underpinning music with a seemingly unflappable solidity.

    I just love how this cartridge has been 'voiced' in a way that simply sounds "right". As such, it possesses a rather judiciously judged tonal balance and overall presentation. The sound is very detailed, but not in your face, with plenty of 'body' and bass authority, but never veers towards warm or cuddly. It's just a rather refined and finessed listen, but not a boring one in the slightest - essentially it sounds as 'exciting' as the music demands!

    Musically, it's very relaxed [but never dull or shut-in], unflustered and rather addictive, pulling you into the music in a way that makes all genres interesting and involving to listen to. It plays jazz and classical music with the same enviable ability as it does rock and dance, so one simply can't 'label' it for use for any one purpose. The M55E (with NOS N55E stylus) is just a superb all-rounder and, quite frankly, makes a veritable mockery of some of the designs produced today, touted by so-called audiophiles as 'superior'.

    I think that I paid about £50 for the NOS stylus and £40 for the cartridge itself, so for under £100 it sounds as good as most MM carts I've heard at up to around £500. I kid you not... It would certainly spank an Ortofon 2M Black in the musicality stakes (which sounds rather sterile and 'hi-fi-like' in comparison)! I'd imagine it also helps using a brand new stylus (which obviously has still to run in).

    The Shure also tracks like a limpet, with zero signs of sibilance, or any obvious distortion with 'difficult' material. It just sails through every piece of music you throw at it, with consummate aplomb. This is a cartridge that, quite simply, allows you to 'relax into the music', without sitting on edge listening out for 'hi-fi effects' or wondering when the sound is going to break up at any minute. That just doesn't happen with the M55E: it's a music lover's (on a budget) dream.

    TBH, I could quite happily live with it is as my everyday cartridge, thus saving the stylus life of my expensive moving-coils, which I could bring out on 'special occasions'/when archiving vinyl to digital (for the RPi), or just when I just fancied a wee change... Yes, it is *that* good!

    Whether or not the modern (current production) M44 (which I believe is the replacement for the M55) sounds anything like this, I've no idea. Perhaps at some point, I'll buy one and do the comparison. However, in the meantime, I intend to enjoy this ridiculously good cartridge (considering the paltry sum it costs) over the Xmas holidays, and revel in its smile-inducing music making.

    Is this Shure a goodie? You betcha - and a 'giant-killer' too, to boot! The M55E/NOS N55E (improved) stylus combo represents SPPV at its best. Highly recommended for anyone looking for a cost effective way of obtaining genuine musical satisfaction from their record collection. Therefore, my advice is to nab a vintage one on ebay, if you can, and sit back and giggle out loud at just how talented this old timer is!

    Marco.

    P.S I'll take some pics and post them later.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #119
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,354
    I'm Andrew.

    Default

    Quote Originally Posted by Marco View Post
    It would certainly spank an Ortofon Black in the musicality stakes (which sounds rather sterile and 'hi-fi-like' in comparison)!
    Ortofon black MC or MM?
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker



  10. #120
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    MM, lol. As good as the M55E is, it's not in any way inside high-end MC territory!

    I've just made the necessary amendment.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


+ Reply to Thread
Page 12 of 58 FirstFirst ... 2101112131422 ... LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •