Website: http://www.homehifi.co.uk
Website: http://www.beresford.me
Website: http://www.homehifi.asia
I am not telling anyone how to suck an egg. I can only offer you the chip and the instructions, and you do as you please afterwards with the options available. I already told you so via email, so why do you keep repeating the same question over and over again on different platforms and method of communication?
Website: http://www.homehifi.co.uk
Website: http://www.beresford.me
Website: http://www.homehifi.asia
Krzysztof, please give your continual 'poking' at Stan a rest. Stan has been more than accommodating and helpful to you, so enough is enough - ta!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Excellent, and so please bear that in mind in future
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: Troon
Posts: 2,476
I'm tony.
Ive managed to get a few hours on the cans with the new Caiman 2 chip firmware.
My initial impressions have been borne out. The most noticeable differences for me surround the areas of, detail retrieval/texture /channel separation/sound stage and instrument placement.
The amount of information that is being drawn out was initially quite confusing-one of the most complex tracks I use to seperate the men from the boys is Stevie Wonders -have a talk with god. There is just so much going on that its easy for a lot of the different elements to mush into a sonic fug-a very pleasant one I might add IMHO. The new firmware has unravelled more than I have ever heard in the past.
Rich commented on cymbal noise and texture- this is a very noticeable difference. The subtle granular quality to voices or the lovely soft organic sound of real instruments has taken me aback....Duke Ellington-Blues in blueprint WOW!!!
Channel separation is for me more apparent on cans, there seems to be little or no bleeding across channels it was quite disconcerting initially. I don't have a lot of noise floor on my set up but if anything it has lowered even further-I suspect this is a factor in hearing more detail.
Sound stage and instrument placement-George Duke-the black messiah (part 2) a great live recording...for placing different elements in your soundstage its as good as I have heard.
A special mention has to go to John Martyn-he just sounds majik ( or more majik than usual)
None of my observations have came at a price, the sound is natural and unforced with a marvellous toe tapping quality that just immerses me in the music. A fine upgrade.
Stan kindly sent me a Bushmaster chip, Im off from tommorow for a few days and will hopefully marry it up with the 650s( a great partnership). When I get some mileage on it I will post my impressions.
Usual caveat-my ears/kit/music.