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Thread: Denon 103 vs 103R

  1. #21
    Join Date: Jan 2012

    Location: Glasgow, UK

    Posts: 2,076
    I'm Tony.

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    Been listening to the Denon 103 over the weekend and it's something else, sounds great with jazz but not so great with other stuff I've listened to but it's excellent with mono recordings, really really good.

    My first impressions are great bass, piano (bass notes), drums are good including rim-shots but not so good at displaying high frequencies such as cymbols and strings.

    I've increased the tracking weight slightly to 2.7g and that's helped.

    My go to record is KOB, I have a CBS stereo version from 1964 & the recent 2013 record store day re-mastered mono, the mono version sounds way better, you can hear that sound of the reed being blown in the sax, the cymbols however sound a bit flat with no shimmer, piano notes are good though and there is a decent pace to the music.

    Miles Davis' trumpet sounds a bit distorted on Freddie Freeloader and the high frequencies are in the background and quite recessed.

    Soundstage is good though but it's right between the speakers, in fact the entire band sounds like they're all in front of me quite close together.

    Still sounds good though but diffferent from what I'm used to hearing.

    Tony

  2. #22
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,324
    I'm Andrew.

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    I listened to my 103R today. Its mounted on one of these

    http://www.ortofon-shop.com/shop/tre...category_id=47

    I plonked it on my Garrard 301/SME 3013 setup and squirted it through one of these

    http://www.ortofon-shop.com/shop/tre...category_id=46

    It sounded excellent. Really surprised by who this little cart performs. I've heard carts costing >£1K sounding worse.

    +1 if you wanna buy one and have some fun.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE
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    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker



  3. #23
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

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    Quote Originally Posted by REXTON View Post
    It sounded excellent. Really surprised by who this little cart performs.
    Told ya!
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  4. #24
    Join Date: Jan 2013

    Location: Birmingham

    Posts: 6,811
    I'm James.

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    Quote Originally Posted by REXTON View Post
    I listened to my 103R today. Its mounted on one of these

    http://www.ortofon-shop.com/shop/tre...category_id=47

    I plonked it on my Garrard 301/SME 3013 setup and squirted it through one of these

    http://www.ortofon-shop.com/shop/tre...category_id=46

    It sounded excellent. Really surprised by who this little cart performs. I've heard carts costing >£1K sounding worse.

    +1 if you wanna buy one and have some fun.
    Only problem I may have would be using the VPI JMW 9T tonearm/headshell with this cartridge -not enough mass

    However I have an idea how to sort my Croft pre for MC without resorting to headamp or SUT
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

    Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2

  5. #25
    Join Date: Sep 2010

    Location: Nr Ashbourne, East Midlands, UK

    Posts: 110
    I'm Mike.

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    There is a lot more difference between the 103 and 103r than is made out IMHO, firstly the loading is different but the voice-ing also.
    I had a nude 103 which I loved, had great bass and very enjoyable to listen to, not fussy with SUTs all OK.
    I then went all out with a MIDAS, paratrace, sapphire cantilever 103R and its taken a lot of messing with SUTs and the loading to get the enjoyment back. It (the 103R) has a more detailed top end that can sound false and make the tonal balance a little thin...
    StSt Motus DQ + SME 312 'MB Special'
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  6. #26
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Mike Adams View Post
    There is a lot more difference between the 103 and 103r than is made out IMHO, firstly the loading is different but the voice-ing also. It (the 103R) has a more detailed top end that can sound false and make the tonal balance a little thin...
    Spot on, Mike. Much as I like the 'R', that's also my experience, and why many DL-103 aficionados stick with the stock model

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #27
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

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    Strange. I found the 103R quite rich sounding in my system. Varying effects of different phono stages and SUTs I reckon.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  8. #28
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    It *is*, compared with many of today's MCs, but it's quite markedly more forward and 'spotlit' sounding than the stock 103, and that (when set-up and partnered properly) isn't exactly dull.

    Much of this, however, will be taste and system dependent. I've always found that the stock 103 boogies better and has the more 'mellifluous' midrange, which is why I use one of those and not the 'R'.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #29
    Join Date: Jan 2012

    Location: Glasgow, UK

    Posts: 2,076
    I'm Tony.

    Default

    I put on a second pressing of Ziggy Stardust after KOB, I know this record really well and whilst Bowie's vocals were pretty good the bass overwhelms everything else really, there's a veil over the music that I can't seem to shift.

    I've tried the tonearm tail up and it did sound a wee bit better but nothing special, certainly not as good with this sort of music as it is with jazz, I don't think I'm getting much of a midrange either, sounds like I'm listening to an old wireless at times.

    Think I'll take some weight off the headshell and see if that helps at the moment the headshell and cart weigh about 26.5g, tracking weight is about 2.7g.

    I'll say one thing though surface noise is pretty non-existant and the cart tracks like a train.

  10. #30
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Remind me again of your T/T and tonearm, Tony? Also, your phono stage.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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