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Thread: Make your Yamaha AX-596 , 592 or 892 go Headless

  1. #1
    Join Date: Jun 2009

    Location: Yonkers, NY USA

    Posts: 165

    Default Make your Yamaha AX-596 , 592 or 892 go Headless

    I noticed that one or 2 of you on this forum have the same, or similar amp that I have. You may have noticed that these Yamaha integrated amplifiers can be seperated to a pre-amp and power amp by removing the jumpers on the pre-out/main in connections on the back.

    Do this;

    Power off and remove the jumpers on your Yamaha.
    Connect your DAC, such as the Beresford TC-7520, using the variable output connections, to the main-in terminals on the Yamaha.
    Make sure that all the direct and CD direct buttons on the Yamaha are disabled.

    Power on the system (volume all the way down on the 7520!) and play some music. Prepare to be stupified

    I am now faced with the frustration that I have now given up all my analog inputs and remote capabilities, but the sound coming from my system now is un-believable. I can not go back.

    I can not believe how much my AX-596 pre-amp was holding back the TC-7520.

    Please let me know your experience as well.

    CD
    David

    iTunes 7,PowerMac G4 733, Mac OS X 10.4.11, Airport Express, Beresford TC-7520 (Dual LM4562NAs) MLC5/6 clipped, 36K and 100nf cap mod, Behringer EP2000, Cambridge Soundworks Tower II

  2. #2
    Join Date: Feb 2008

    Location: http://www.homehifi.co.uk

    Posts: 6,288

    Default

    Quote Originally Posted by Codifus View Post
    I can not believe how much my AX-596 pre-amp was holding back the TC-7520.
    I have a couple of preamps collecting dust since I started using a 7520 as my preamp. DAC to power amp will always offer more detail than DAC -> preamp -> power amp.

  3. #3
    Join Date: Feb 2011

    Location: London (North)

    Posts: 1
    I'm Chris.

    Default

    Hi there, thank you for this information its been extremely useful.

    I to have a Yamaha ax-596 that I have connect to my PC (Sound blaster X-fi titanium) via the AUX phono socket on the back of the amp, since reading your advice I have directory connected it to the “Main in” disabling the pre-amp and your absolutely right, the improvement in sound quality is incredible.

    The problem I have now is i only have volume control via my PC and I have been told that reducing the volume via the PC also reduces the sound quality, is this really the case? I have to turn the volume down to around 5% so that it is at a reasonable volume but could be losing sound quality.

    Would I gain any sound improvement by buying the DAC you have (Beresford TC-7520)
    , I no this would give me a proper volume control, presumably having the volume turned down on this device wouldn’t compromise sound quality, I could turn my PC up and have the DAC turned down, also I would be able to connect it via the optical or coaxial.

    If there wouldn’t be any gain in sound quality using the Beresford TC-7520 just volume control I don’t think I will purchase it.

    Oh yer and one other think, when I had it connected via the AUX I had the “Pure direct button” pressed which I thought then by-passed the pre amp, how come it sounds so much better when physically unplugging the pre amp and connecting direct, isn’t this sort of doing the same thing?


    Any help on how best to set up my system would be much appreciated.

  4. #4
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Chris,

    Welcome to AoS

    Could you please pop into the Welcome area and introduce yourself to our community, by telling us about yourself, your system and what music you like, as this is the required procedure for all new members joining AoS.

    Cheers!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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