I just wondered if some of you reel-to-reel guys knew of this place:
http://www.tapeproject.com/
Looks interesting!
Marco.
I just wondered if some of you reel-to-reel guys knew of this place:
http://www.tapeproject.com/
Looks interesting!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
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It is a great project - 15ips real-time duplicated '1½ gen' duplications from masters on half track quarter-inch tape, (would work extremely well in Neil's B77). The closest you are likely to get to the original master in the analogue domain.
But have you seen the prices?! If you really like one of their releases the price does start to make sense, but $300 is not the kind of money you pay to see how an album sounds
Compare this with the vacuum-bin approach to to duplicating old reel to reels - I've read elsewhere that masters would run at 240ips and slaves at 120ips... that said there are some great factory releases on 7½ips reel to reel, and some of the better 3¾ips releases can sound good too.
A little off-topic, but here are a few things from my pre-rec reel to reels collection, from the olden days (not tape-project stuff - these are a little cheaper )
Wow, I'll take that red deck, that is a serious bit of audio pornology.
Been thinking lately when we say that a well fettled DD turntable sounds more like CD but in the right way what we should be saying is that it is more like 15 ips R2R
Cheers
My understanding though is that your reel to reel needs to be tweaked to play Tape Project tapes.
I don't fancy doing that to be honest (can't really afford it anyway). If I was going to have any mods done/service etc I would send my B77 to Brian Reeves, but that would I suspect cost me about £400 all in, or more perhaps....maybe when I am back in work.
The big problem with old commercial reels is you need a good quarter track machine to play them on. I have done something about that last week...all will be revealed soon
I wonder about SSS with pre-recorded reels or print-through...have you had many problems Nick ? This has put me off buying any.
I plan to make some live simple mic all analogue recordings later this year or early next year of a very talented female singer song writer I know. These will be used to help me evaluate gear.
Regards D S D L
Last edited by Spectral Morn; 23-08-2009 at 09:41.
Regards Neil
You're right Neil; they use IEC standard EQ rather than NAB or CCIR. I'm keen to hear more about your quarter track adventure
On print through I'll drop some thoughts later, but one thing you should always do is store recordings tails out ; ie don't rewind back off the take-up reel. This keeps any print through 'inside' the recording rather than before it.
Too far south for you Neil, but - http://www.taperecorder.co.uk/index.html near Ipswich may be an option for southern/eastern tape buffs. the site's worth a look anyway.
I had a collection of IEC equalised tapes and compared to NAB ones, the differences in eq were really small and less than comparing different cartridges on a turntable IMO.
These old Revoxes are so cheap now I'd love another one. Beware with A77's though - an otherwise mint condition one had crumbling presets inside, although once serviced it worked a treat. The B77 had better headroom than an un-modified A77...
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
Hi Dave
Thanks for the info. Unfortunately all the mainland service centres are to far south for me. Brian Reeves of Service sound does supply flight cases for shipping to him and back, which I think is a pretty good idea and worth the money....at some point. The B77 I got isn't to bad, but there was no box for it a common problem. Why don't people keep their boxes I went to Scotland to get it which cost less than posting and my wife and I got a very nice day out as well. A result all round.
Ummm A77 more to tell about those in the future.
Regards D S D L
Last edited by Spectral Morn; 23-08-2009 at 13:12.
Regards Neil
Regards Neil
No problem. I must admit that while I really like Tapeheads I don't follow many of the discussions on there just because there's only so much time in the day!
Low-print tape is formulated to minimise print-through, for archiving. 'Backed' tape is also designed to minimise print through by separating the adjacent recorded layers by a backing on the reverse side of the tape.
BTW... what's SSS ?
Do tell when you're able..
off topic, but I'd love to have an A76 tuner again. I foolishly sold mine in favour of a gorgeous looking Luxman T88-V. Appearances were only skin deep sadly on this one, the thick-toned and squidgey mess emanating from it wasn't too pleasant IMO.
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me