I'm a bit out of date on this, but in my day, many subs on the market basically boomed and thudded their way around explosions on films yet could't hold a double bass line at all. Some REL's were good but others were dire indeed.
Leaving all the AVI vitriol aside for a mo, their ADM style sub should be a great buy, set to roll out above 50Hz (the ATC 50ASL's go cleanly to below 50Hz as I remember). the M&K subs always sounded good to me as well, even if they weren't pretty. The bigger Spendor S series sub was good too IIRC.
Things have changed a bit in the last six years. REL have, I think, been taken over and I don't know how many decent two channel shops sell subs these days. You could always look out for some good used ATC 100ASL's you know..
By the way, don't the 50ASL's have a bass-boost on the back?
P.S. What's with the Meridian DAC? AVI may be the devils work to many audio forum people, but Martin Grindrod always seemed able to design a CD player for good sound quality - that is, if the aim was to reproduce the CD as truthfully as possible.....
P.P.S. Use low capacitance wires between CD and pre and good quality mic cable (ATC use Belden) between pre and speakers, with earth screen connected with the return at the pre and "floating" at the speaker XLR's.
Last edited by DSJR; 21-08-2009 at 20:53.
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me