Lets see Snapper's pics then!
Lets see Snapper's pics then!
He hasn't taken any yet, but he will do! As soon as they're ready I'll post them. Right now we're too busy buying records, drinking beer and wandering around town in our slippers...
Oh, and I've just bought one of these little chaps for copying vinyl to CD:
http://www.dancetech.com/aa_dt_new/h...2_USB_main.jpg
What fun!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
For the car, of course, my boy!!
Also, Stevie-boy (and others) will be able to get some top-notch recordings from the Techy of stuff they like that I've got on vinyl
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
I was only joking of course...
The only thing about analogue to digital transfer is the nature of recording level overload. Easy to go analogue to analogue..metal tape allows you to capture all the highs etc and push the tape, whereas digital doesn't go into the red so well, and all you end up with is distortion. You have to listen and monitor the analogue recording in its totality to be able to know the maximum peeks and set recording levels accordingly; to avoid slippage into the red. This is the case with the kit I have. Its for these reasons I won't record albums or tapes for people, as frankly I don't have the patience to do it anymore , even for myself. No doubt there is gear that allows you to get round this issue. Is what you have bought such a device ?
Regards D S D L
Regards Neil
http://www.pinkfishmedia.net/forum/s...t=67576&page=3
This thread explores the WAF issue rather well. I disagree with the point that Wife Acceptance Factor is sexist for it is a given that this is a male-dominated hobby. Yes there are one or two female hi-fi bobbyists out there some of whom have even had to suffer a male partner not sharing her enthusiasm for getting music reproduction just right at the expense of other requirements in the room, but on the whole WAF = man wants/Woman Has Other Ideas and Gets Her Way.
To opt for the term SAF (Spouse Acceptance Factor) is just excessively politically correct for my tastes and panders to the PC-whistle-blower-apologists-to-the-potentially-offended mentality.
On the internet it is almost impossible not to upset someone and completely impossible not to potentially upset someone. Without being blatantly rude in a way that you'd never dare to someone's face or deliberately cause trouble, I think we can say pretty much what we like here within reason...
This pic was posted on the above thread. Anyone who has a partner objecting to bigger speakers in the room, you could always show her these with a view to buying them instead:
Location: gone away
Posts: 4,870
I'm joe.
Both WAF and SAF are wrong as they imply a marital relationship. I propose Significant Other Factor of Acceptance, or SOFA for short.
I like SOFA. Very good!
AC POWER
Hardwired 10kVA balanced mains powering entire system
AMPS
Meridian 557 power Amp (Modded) / PS Audio BHK Preamp (Modded)
SPEAKERS
Wharfedale Evo 4.4
DAC
PS Audio Directstream (Modded)
TURNTABLE
Pro-Ject X8 balanced output via XLR / Ortofon Quintet Blue cartridge
PHONOSTAGE
Pro-Ject DS3 B balanced Input (TT and Phonostage powered by Pro-Ject Power box RS2 linear psu)
DIGITAL
OPPO 203 (Modded: Linear PSU, i2s output to Dac) - Roon Endpoint, HDMI input used for all things Streaming/ PS5 /AppleTV ... also good for movies apparently?
MUSIC PLAYBACK
Tweaked AP-Linux based Roon Server into Oppo 203 as Roon endpoint
Ipad Roon Remote.
Apple Music/ YouTube via AppleTV, fed to Dac via Oppo HDMI input/i2s output to Dac.
SPEAKER CABLES
Biwired: Duelund DCA10GA (Bass) Duelund DCA16GA (mid & treble) Duelund 12DCA used as jumpers (On "Blackcat Cable" Chris Sommivigo's advice - yup, even with biwire it sounds better - and it does)
INTERCONNECTS
All Balanced: Ghost+ recording studio XLR cables