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Thread: Is this the sexiest/properly designed equipment support out there?

  1. #11
    Join Date: Mar 2009

    Location: Sheffield, UK

    Posts: 1,307
    I'm Dave.

    Default

    How about THESE or any others from that manufacturer.
    They can be custom made to any height you want.

    I'm hoping to get the Podium XL to use as a TV/Hi-Fi stand unless I find the same sort of thing cheaper somewhere else.
    Source: Apple TV 4K - DAC: Beresford Bushmaster Mk II - Preamp: CI AudioPLC-1 Mk II - Power Amps: Musical Fidelity 550K mono blocks - Speakers: Wharfedale Opus 3 - Cables: Mark Grant etc - Misc: Belkin PF30 mains filters.

  2. #12
    Join Date: Mar 2009

    Location: Hemel Hempstead

    Posts: 1,074
    I'm Steve.

    Default

    I have to say that I was always very, very pleased with my Townshend seismic sink stand, I had to be, it cost enough and I'm not one for 'snake oil' tweaks without sound engineering principles behind them.

    Unfortunately back then, it was pretty Heath Robinson, but it's come on a lot these days....
    Steve aka 'Twelvebears' (it's a long story)
    System: Technics 1210 Mk5, Jelco 750 arm, AT33EV via MF X-LP2 Phono Stage, Oyaide mat and record clamp. SB Touch via Marantz PM-11S1 amp and Wilson Benesch A.C.T. speakers. Mark Grant cables and PS Audio Power Plant Premier mains regenerator.
    (\__/)
    (='.'=)
    (")_(")

  3. #13
    Join Date: Mar 2009

    Location: Hemel Hempstead

    Posts: 1,074
    I'm Steve.

    Default

    Copulare.... Oh dear lord! Are you blind! Utterly horrible!

    Stillpoints... Ah now that's more like it. Yes, very cool. I like it.

    Grandpix... No now that's just boring and looks like other glass and chrome stuff.

    Personally I'm planning to build my own rack using shelves made of solid block wood Birch Ikea worktops.

    Uprights will be of 16mm stainless steel studding, with stainless nuts and washers holding the shelves.

    Shelves will be decoupled from the rods using polyeurothene O-rings between the washers and shelves.

    Top and bottom of the threaded rob will be finished with stainless dome nuts.

    Equipment will sit on DIY islolation platforms consisting of two beatifully finished layers of slate from John at Slate Age, each of which a number have 20mm radius indentations in one face so that they are separated by a number of squash balls, the number and type of which allow you to adjust for kit of different weights....
    Steve aka 'Twelvebears' (it's a long story)
    System: Technics 1210 Mk5, Jelco 750 arm, AT33EV via MF X-LP2 Phono Stage, Oyaide mat and record clamp. SB Touch via Marantz PM-11S1 amp and Wilson Benesch A.C.T. speakers. Mark Grant cables and PS Audio Power Plant Premier mains regenerator.
    (\__/)
    (='.'=)
    (")_(")

  4. #14
    Join Date: Feb 2009

    Location: Whaley Bridge, Derbyshire

    Posts: 18

    Default

    How about one of these?
    Attached Images Attached Images

  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Yep, the ReVo is also in the equation

    Although I hate how it looks...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #16
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

    Default

    The Revo is probably the best performance stand there is. It unlocks rhythmic interplay between musicians and harmonic detail you never knew even existed.

    The Techie will leap into orbit on one of those.

  7. #17
    Join Date: Sep 2009

    Location: Tuscany Italy

    Posts: 25

    Default

    Hi Marco
    I had the same idea this summer and just finished this rack , I needed space for my SP10
    what do you think of it?
    thanks for looking
    John

    John



  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Looking good, John - very nice indeed

    What wood did you use? Let's see the SP10, too!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #19
    Join Date: Sep 2009

    Location: Tuscany Italy

    Posts: 25

    Default

    the wood I used is castagno it's common in Toscany as you may know,

    I have just finished last week this plinth for my NOS from the Box Technics SP10 MkII for
    which I'am very happy on how it turned out, I have many pic's of the making but I don't want to show off to much about it. I would like if someone can give me a tip for some cart's that work well with the arms I have SME 312 & SME 3012 II bent at 18° just like the Thomas Schick arms, at the moment I have 2 DL103 on both for testing ,
    thanks again
    John







  10. #20
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I am lost for words, John - simply awesome!!

    That's also about the nicest plinth I've seen for an SP10. What is it made from, and did you do it yourself?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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