OK! Calm down, Calm down
OK! Calm down, Calm down
Listening in a Foo free Zone...
Only a Sith deals in absolutes.
Wot I ment to say guv'nor, is that most cartridges of a particular type are very similar indeed under the skin and the rest is cachet and 'intellectual property' whatever that means in this instance
Oh Gawd, seems as if I'm being patronising to the OP. I'm really not and apologies if I was taken this way
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
Location: Far Away
Posts: 1,396
I'm Gone.
Hi Kyle
I have used Koetsu for many years and I have the Rosewood Signature, after an accident it required a re-tip, so I sent it back to Japan via the UK Distributor. This was fully rebuilt and came back sounding like new. I will be sending back for another rebuild, either this year or early next. In my opinion, to paraphase Dave, a Ferrari needs genuine parts and mechanics. It really is the only way to go. With due respect to others who work on these carts, original works best for me
Best of luck with it
Location: Lancaster(-ish), UK
Posts: 16,937
I'm ChrisB.
I had my first Black (an original) re-tipped and cantilevered by van den Hul some years ago. The tip fell off within days! It was sent back and repaired, after which it was fine. It sounded very good indeed, but I thought it was different to how it had sounded originally.
My second Black lost its tip in an accident and the whole cartridge was replaced through an insurance claim.
Location: belgrade serbia
Posts: 840
I'm gordan.
Does anyone have any experience with Black Goldline and how sensitive are the coils in a relation to a cantilever damage? How big are the chances of broken coil(s) if the cantilever is pulled out?
Gordan.
Speakers: Oris Swing MkII
Amps: Thomas Mayer 300b/ Hiraga La Maison de L'Audiophile 20
Preamp: Silver AVC by eng. Ferenc Lazar
Phono Preamp: Shishido LCR by Solaja Audio
Decks: Garrard 301 Martin Bastin reworked/plinthed with Fidelity Research FR64fx
Garrard 401 in eng Ferenc Lazar solid wenge plinth with SME 3012/2
Cartridges: SPU Spirit/ Koetsu Black revisited by eng. Salai/ Miyajima Shilabe
Step Up Transformers: Tango MCT 999/ Ortofon T-5000/ Lumiere SUT
Digital: Shigaclone by eng. Ferenc Lazar with Lampizator Amber II
Wires: of sufficient length
Location: Near Saffron Walden, Essex
Posts: 7,090
I'm Dave.
Surely, if the cantilever has been pulled out, the coils have been damaged ? The coils are affixed to the cantilever, I believe.
Location: belgrade serbia
Posts: 840
I'm gordan.
doesnt have to be in my experience and it mostly depend on a type of the cantilever. hard ones like ruby or boron or similar have higher chances to do so in comparison with aluminium. that's why i asked for black, i think the original cantilever was a type of composite alu, quite a soft one.
Gordan.
Speakers: Oris Swing MkII
Amps: Thomas Mayer 300b/ Hiraga La Maison de L'Audiophile 20
Preamp: Silver AVC by eng. Ferenc Lazar
Phono Preamp: Shishido LCR by Solaja Audio
Decks: Garrard 301 Martin Bastin reworked/plinthed with Fidelity Research FR64fx
Garrard 401 in eng Ferenc Lazar solid wenge plinth with SME 3012/2
Cartridges: SPU Spirit/ Koetsu Black revisited by eng. Salai/ Miyajima Shilabe
Step Up Transformers: Tango MCT 999/ Ortofon T-5000/ Lumiere SUT
Digital: Shigaclone by eng. Ferenc Lazar with Lampizator Amber II
Wires: of sufficient length
Location: south wales
Posts: 9
I'm paul.
The best retip is done yer aj van den hul, he will match a cantilever to the tip, he is the master at this, and, more than probably, because of the the stylus profile, it will sound better. Than new, he will also rebuild the suspension, this is Very Important, as the rubber ages it becomes hard and has a massive effect on sound quality, again Vdh will do this, he is the only man I trust to do this, hope this is helpful.
Dominic Harper at Northwest Analogue has many happy customers. His site has loads of interesting photos of the intricate and expert work carried out.
http://www.northwestanalogue.com/
It is impossible for anything digital to sound analogue, because it isn't analogue!