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Thread: Free cartridge upgrade...... it works plus Jelco 750 alignment info

  1. #1
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,796
    I'm Stephen.

    Default Free cartridge upgrade...... it works plus Jelco 750 alignment info

    If it sounds to good to be true it usually is but this is an exception

    Origin Live make a claim that putting nylon washers between cartridge and headshell improves the SQ of all cartridges by decoupling them -analogous to the Cartridge Man's isolater:
    http://www.originlive.com/dynavector...n-washers.html

    Having been not totally happy with my cartridge setup and having decided to spend a wet weekend sorting it out it seemed a good time to give the Origin Live claim a try - not least as I had a couple of nylon washers I was not using that came with my Oyaide HS TF headshell

    Getting your chosen cartridge alignment (Baerwald, Lofgren, Stevenson, OEM) right with the Oyaide/Jelco combination is not straight forward as others have commented previously on this forum and elsewhere:
    http://www.vinylengine.com/turntable...ic.php?t=25329

    It was a challenge doing this with the Jelco OEM headshell but the Oyaide is worse because the headshell is longer and the mounting slots allow less scope for fore & aft cartridge movement - especially if you want to have the mounting bolt heads recessed in the slots like I do.

    I have a custom MINT! tractor that worked well with the OEM Jelco headshell. This was setup to Lofgren A with a 17.9mm overhang as opposed to the OEM Jelco 15mm. The only way of achieving this and hence using the MINT! was to put a rubber washer between the Oyaide and the Jelco. With the cartridge fully pushed forward it would just align - to be fair it aligned perfectly as per Yip's instructions both for overhang and stylus alignment.

    The trouble is I just don't like the idea of having a rubber washer in between headshell and arm - I know in the past things always sounded better with the Jelco and Sumiko headshells when I removed it. And indeed when listening after the above setup was dialled in while it was ok it somehow didn't sound quite right - can't be more specific but I just knew I was missing a trick.

    So, the only alignment that will work with the Oyaide/Jelco is the OEM Jelco with overhang of 15mm and null points of 59mm & 112.5mm. I should mention that I had previously used the OEM Jelco alignment with this combination and was quite happy with the SQ but having spent dollar on the MINT! previously felt I owed it to myself to get that setup to work

    The alignment guide that ships with the Jelco works perfectly and using an Origin Live tractor I can confirm that with the overhang set correctly the above null points are automatically dialled in All that's needed is to spend time and patience ensuring the alignment is spot-on with cartridge dead centre in the headshell.

    So I had taken the opportunity to slip a nylon washer beneath cartridge and headshell and when happy with alignment, VTA, Azimuth nipped the bolts up tightish. Using slot head bolts rather than allen bolts and a small screwdriver it should not be possible to exert excessive force. A different concept to setting up my old Ittok/Troika where a bench vice was the order of the day

    Anyway, onto the point of the post - having listened to the setup from the first needle drop I concur with Origin Live's claim. Note: I only used 2 washers in between the cartridge and headshell where they suggest 3 and none between mounting bolts and headshell where they do because I like the bolt heads recessed in the headshell slots.

    There is an audible improvement in clarity and definition giving a crisper more vibrant presentation - with complex tracks there is no "bleeding" of notes. This is most marked at the frequency extremes with tighter more tuneful bass and clearer highs. Percussion like castanets and wood blocks are no longer one note instruments but the woody reverb and hollow sound is readily audible. I could detect no downside in SQ or imaging.

    So, for a few pence or for free if you have them kicking around all I can say is the next time you have a few hours to spend on setting up your cartridge give this a try - I think you will be pleasantly surprised.

    The only potential downside is that it does drop the stylus down a tad and on my setup with arm horizontal it is only about 2mm above the record surface when fully lifted on the cue so care is needed not to stuff the stylus when cueing and lifting

    Steve
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  2. #2
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

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    I'm David.

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    Tried this once and it doesn't work for me... Please remember that this is from the man who bodges up Rega arms, adding loads of midrange resonance to add 'excitement' to an otherwise pretty inert structure, adds other bits of sometimes dubious finish and then sells at a good markup.... in my opinion of course!

    The Jelco arm, like all its type, starts off with a disadvantage as the thing has an 'Ortofon/SME' style headshell fixing on the end of the arm pipe. Audible or not, the structural weakness here is easily measured and can be quite severe in some tonearms, although the far eastern audio fraternity seems to have bodged their way around this with fancy expensive headshells (the more expensive they are the better they are of course, and the greater status is conferred on the owner...). Decoupling the cartridge from the headshell is only going to make a compromised situation worse in my book - just look at what the Cartridge-man Isolator does to the bass of his Grado-bodge.....

    PLEASE take great care here chaps, science and physics cannot be put aside on this, unless you actually like what's being done - you know what I feel about the 20X cartridge Steve, so I doubt bodging like this is actually going to make a silk finish purse out of a porcine ear.

    Just my opinions obviously and yes, I do have some 2.5mm nylon washers at my disposal!

    P.S. Didn't these headshell often come with a thin rubber ring-washer around the plug bit to aid snug fitting to the tonearm socket? Surely, taming the breakup resonance here is the best way to deal with things?
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  3. #3
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,796
    I'm Stephen.

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    Now now Dave - stop sitting on the fence and say what you mean

    Quote Originally Posted by DSJR View Post
    P.S. Didn't these headshell often come with a thin rubber ring-washer around the plug bit to aid snug fitting to the tonearm socket? Surely, taming the breakup resonance here is the best way to deal with things?
    The standard Jelco did but my Sumiko and the Oyaide were nude.
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  4. #4
    Join Date: Feb 2008

    Location: Down South

    Posts: 2,413
    I'm Neal.

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    If you are struggling to get correct alignment with the cartridge as far forward as it will go you can place a copper washer between the arm and headshell, I use a 1mm thick washer with a cutout so as it slots over the headshell locating pins.

    The nylon washer tweak is interesting but be careful that what you are hearing is not just down to the changed VTA if you can't adjust the arm height to compensate...
    Listening in a Foo free Zone...

    Only a Sith deals in absolutes.

  5. #5
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,796
    I'm Stephen.

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    The copper washer is a good idea - better option methinks than the usual rubber one. I have to say that reverting to the OEM Jelco settings all is fine.
    Yes, after using the washers arm height and VTA were reset

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  6. #6
    Join Date: Nov 2009

    Location: Devon

    Posts: 1,903
    I'm stu.

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    I use a 9g washer spacer sometimes.
    Must try it with the wooden headshell i'm using.
    301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach

  7. #7
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by DSJR View Post
    The Jelco arm, like all its type, starts off with a disadvantage as the thing has an 'Ortofon/SME' style headshell fixing on the end of the arm pipe.
    It's not a disadvantage, Dave, if other (sonically desirable) aspects of the arm significantly outweigh the above (in reality, tiny) disadvantage, nor is it in any way a disadvantage having a detachable headshell when fitting a cartridge and/or quickly swapping from one cartridge to another!!

    Moreover, it is certainly not a disadvantage when, in some cases, the sonically desirable aspects, mentioned above, enable the arm to outperform its fixed-headshell counterparts, as is the case when comparing the Jelco with, say, a Rega arm of approximately the same price, particularly if a low-compliance cartridge is being used. Which arm would best suit a DL-103, I wonder?

    Remember that tonearms, just like everything else in hi-fi, are a series of compromises. Therefore, of far more importance is considering how well a tonearm matches the physical and sonic requirements of the partnering cartridge, than whether or not its headshell is fixed or detachable.

    Interesting idea with the washers, Stephen. I'm glad that it's proved successful in your set-up. Perhaps a suitably sized piece of Sorbothane would work well with less well-damped headshells than the Oyaide?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

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  8. #8
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,796
    I'm Stephen.

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    Hi Marco
    With all the cartridge fettling over the weekend I've now got the upgrade bug again :O
    So am putting the DV 20x2 up for sale (will upload details and photies later) to help fund a DV XX2 and in the meantime am dusting off my trusty Decca Blue and sending it off to Presence Audio to have a Deccapod fitted :-)
    Will give me time to make a special shelf support for the DV SUP 200 SUT
    Steve


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  9. #9
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,796
    I'm Stephen.

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    PS
    Given the energy transfer of the Decca I'm assuming the Oyaide headshell would be a better partner than the Sumiko? As I'm not about to layout for a second Oyaide if so the new XX2 can go in it

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  10. #10
    Join Date: Mar 2008

    Location: Galashiels

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    I'm inthescottishmafia.

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    Quote Originally Posted by Marco View Post
    It's not a disadvantage, Dave, if other (sonically desirable) aspects of the arm significantly outweigh the above (in reality, tiny) disadvantage, nor is it in any way a disadvantage having a detachable headshell when fitting a cartridge and/or quickly swapping from one cartridge to another!!

    Moreover, it is certainly not a disadvantage when, in some cases, the sonically desirable aspects, mentioned above, enable the arm to outperform its fixed-headshell counterparts, as is the case when comparing the Jelco with, say, a Rega arm of approximately the same price, particularly if a low-compliance cartridge is being used. Which arm would best suit a DL-103, I wonder?

    Remember that tonearms, just like everything else in hi-fi, are a series of compromises. Therefore, of far more importance is considering how well a tonearm matches the physical and sonic requirements of the partnering cartridge, than whether or not its headshell is fixed or detachable.

    Interesting idea with the washers, Stephen. I'm glad that it's proved successful in your set-up. Perhaps a suitably sized piece of Sorbothane would work well with less well-damped headshells than the Oyaide?

    Marco.
    What set up geometry did you use with your Jelco Marco?

    I guess my 250 would use the same geometry..
    “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”

    Hunter S Thompson

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