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Thread: DIY Platter

  1. #1
    Join Date: Oct 2012

    Location: Napier, New Zealand

    Posts: 1,519
    I'm Andrei.

    Default DIY Platter

    Here is a way to upgrade your 1210 standard platter. The basic idea is to strip away the rubber from the underside of the platter and replace it with a material that is a better at damping. An excellent material for this is Dynamat.

    This is the process:

    1. Stripping the rubber underside;
    2. Cleaning the surface;
    3. Cutting the Dynamat to the correct size;
    4. Applying the dynamat to the underside of the platter.

    Advantages of the DIY method - YMMV;
    • You will get a better platter - it is really good;
    • Satisfaction in doing it yourself;
    • No hassle with transferring the inside of your existing platter;
    • If you like the look of the original platter;
    • If you wish to keep the strobe;
    • The DIY platter will weigh about the same as the original;.


    This weight point is important in my opinion. The 1210 was built to certain specifications including strength and torque of the motor. The 1210 motor of course will have tolerance outside the platter weight range, but there is no need to add drag to the motor and weight to the bearing if it is not necessary.


    http://i1279.photobucket.com/albums/...ps7b0a465b.jpg
    Dynamat is a dense butyl. I first came across it when I outfitted my car with an Alpine Stereo System. It is great at deadening sound and vibration. I build PCs and when I can't get an acoustically damped case I use Dynamat.


    The tools I used for for stripping the rubber off from under the turntable were a good quality paring knife and a large screwdriver. You could use two screwdrivers. A broad cold chisel might help as well. If you do it carefully it could come off in one piece.


    Basically what you are doing is starting around the outside edge of the rubber and working the knife underneath to get a purchase for the screwdriver. When you have enough loosened rubber you can use your hands to pull some more loose. The good news is that you will find that the glue or bonding agent has been imperfectly applied (all the more reason to do the job!) and some of the rubber will come off rather easily. The bad news is that it will require considerable strength and patience to pull it all off.


    You can see here that there there are large places where the bonding agent has not connected with the rubber under-mat. Clearly the rubber mat does nothing for the structural integrity of the platter.


    After you have removed the rubber you will see that there are bits of residue rubber and glue left on the underside of the platter. Keep chipping away at it with the paring knife. Your patience will be rewarded. What that is mostly done you must then clean it. I used Acetone, Synthetic Steel Wool and rubber gloves. You can use whatever cleaning method; only be sure you take off 100% of the rubber.


    This is what it should look like after you have striped and cleaned it completely.

    Before you begin do your quantity surveying to ensure you have enough dynamat. Cut off a corner and have a play. Try cutting it with scissors and a craft knife & metal ruler to get a feel of what you are working with. Also apply some to a spare surface, again to get a feel of what you are doing.



    This is the underside of a sheet of Dynamat. The paper peels off revealing the sticky black butyl. Here you can see the outlines of what I am going to cut. The outside will be cut with large scissors and the small holes with nail scissors. Nail scissors are curved at the tip. It is especially handy to have the Dynamat cold when you are doing fine cutting. Prior to cutting and peeling you should also make one or two templates. In the pic of the tools you will see a couple of pale green cutouts. The one with the finger holes is particularly useful. What the template is, is a mock-up of the dynamat you are going to place into the inside of the platter.



    When it fits you know that you have got your measurements spot on. If it does not fit then you work out where you went wrong and make another. Once your template it 100% you then place it over the paper-side of your dynamat and see if that matches. In so doing you effectively have a 'dry-run' and you will know with 100% confidence that the dynamat you have cut out will fit exactly.



    Here you can see I am nearly finished. Two points to note. One is that you will see the large circle of Dynamat placed into the platter has been cut in two. It did not have to be cut in two and in a previous effort I have laid down one single circle of Dynamat with a large hole in the middle and the two smaller finger-lift holes. That is an OK method. The advantages of cutting it in two are twofold. First, it is a little easier to apply. It is important to avoid airholes or we get the same stuff-up in the original platter. Second, the diameter of the magnet is smaller than the metal ring around it. So a better fit can be obtained by placing it down in two parts. One tip: do a last checking for size by putting down your Dynamat before stripping off the paper backing. The second point to note is the thin strips of Dynamat that around the edge. I have done this by cutting 8 thin pieces and inserting them one by one. One will be 7 or 7.5 mm wide. The other will be 8.5 or 9 mm wide. You will get your measurements with a ruler to get the diameter and do the pi thing.



    Here is the finished product.

    Dynamat is a great product. It is excellent at Sound Damping. See http://www.dynamat.com/technical_spe...at_xtreme.html for specifications.
    It is fairly easy to cut to shape. (Hint 1 - use a knife and straight-edge in preference to scissors where possible, Hint 2 - it cuts a little more tidily if it has cooled in the fridge first.)
    It bonds to the metal surface very well. See http://www.dynamat.com/technical_ins...tallation.html for instructions on applying it.
    It weighs about the same as the rubber it replaces.

    The original platter is not good. If you hold it by the magnet and tap it with a spoon you can hear it rings like a gong. Incidentally If you do the same test after you have stripped the rubber it resonates about twice as long. so I estimate that the rubber damping is about 50% effective ... pretty useless. The same tapping test after the Dynamat is in place produces no ringing. It is almost as dead as Monty Python's Parrot. In terms of sound difference it worked really well and I felt the base tightened up nicely.
    [COLOR=#a52a2a][B]Sources:[/B] [B]1[/B][/COLOR] PC & Wyred4Sound DAC-2 DSDse   [COLOR=#a52a2a][B]2[/B][/COLOR] Oppo BDP105   [COLOR=#a52a2a][B]3[/B][/COLOR] Technics SL·1210 MK5 (Jelco 750D · Benz Wood).    [COLOR=#a52a2a][B]Speaker Cable[/B][/COLOR] [COLOR=black]Nordost Frey.[/COLOR]    [COLOR=#a52a2a][B]Interconnects [/B][/COLOR][COLOR=#000000]Oyaide[/COLOR][COLOR=black] & [/COLOR][COLOR=#000000]Geisha [/COLOR][COLOR=black]Silver.
    [/COLOR][B][COLOR=#a52a2a]Phono Stage [/COLOR][/B][COLOR=black]Fosgate Signature V2. [/COLOR]   [COLOR=#a52a2a][B]Preamp [/B][/COLOR][COLOR=#000000]Ayon Eris[/COLOR][COLOR=black]. [/COLOR]   [COLOR=#a52a2a][B]Power Amp[/B][/COLOR] [COLOR=Black]ATC P1. [/COLOR]  ​ [COLOR=#a52a2a][B]Speakers[/B][/COLOR] Triangle Magellan Cello.     [COLOR=#A9A9A9]Oh Sting, where is thy death?[/COLOR]

  2. #2
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Thumbs up

    Great work, Andrei!

    It neatly highlights, yet again, the very obvious limitations of the stock platter, which MUST be addressed before one can genuinely call the Technics a 'hi-fi turntable'!



    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

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  3. #3
    Join Date: Feb 2008

    Location: Down South

    Posts: 2,413
    I'm Neal.

    Default

    This may be of no importance but did you rebalance the platter or check? It may not need it but I'd be curious to know if you've put the platter out of balance by a small amount.
    Listening in a Foo free Zone...

    Only a Sith deals in absolutes.

  4. #4
    Join Date: Oct 2012

    Location: Napier, New Zealand

    Posts: 1,519
    I'm Andrei.

    Default

    Quote Originally Posted by NRG View Post
    This may be of no importance but did you rebalance the platter or check? It may not need it but I'd be curious to know if you've put the platter out of balance by a small amount.
    Really good question. The short answer is 'No'. However that is not to say I have not considered it. Balancing is surely important. If it is not balanced then the heavier side will have more centrifugal force and this will result in one side of the bearing taking more pressure. It is for precisely this reason that I am slightly obsessive about accuracy in cutting and placing the Dynamat. Allowing for the finger holes is something that will help in that it forces you to get it right to some extent. I have a spare bearing and have balanced the three platters that I have done by placing them upside down on the bearing. There is no shift to any side, though it must be said that is not a particularly accurate test, hence the 'short answer'. If you can think of a way to test balance accurately I would be very grateful as once an imbalance is detected it would be easy enough to correct. My thinking at the moment is that just as with the additional weight there would be some tolerance for minor imbalance. Belt driven turntables have this problem by necessity as the belt is always pulling in one direction, and it seems not to be a concern. I have pulled the standard bearing completely apart and it looks as if it could take a zillion kgs of side-wards thrust without batting an eyelid.

    Thanks for raising this and any suggestions are welcome.
    [COLOR=#a52a2a][B]Sources:[/B] [B]1[/B][/COLOR] PC & Wyred4Sound DAC-2 DSDse   [COLOR=#a52a2a][B]2[/B][/COLOR] Oppo BDP105   [COLOR=#a52a2a][B]3[/B][/COLOR] Technics SL·1210 MK5 (Jelco 750D · Benz Wood).    [COLOR=#a52a2a][B]Speaker Cable[/B][/COLOR] [COLOR=black]Nordost Frey.[/COLOR]    [COLOR=#a52a2a][B]Interconnects [/B][/COLOR][COLOR=#000000]Oyaide[/COLOR][COLOR=black] & [/COLOR][COLOR=#000000]Geisha [/COLOR][COLOR=black]Silver.
    [/COLOR][B][COLOR=#a52a2a]Phono Stage [/COLOR][/B][COLOR=black]Fosgate Signature V2. [/COLOR]   [COLOR=#a52a2a][B]Preamp [/B][/COLOR][COLOR=#000000]Ayon Eris[/COLOR][COLOR=black]. [/COLOR]   [COLOR=#a52a2a][B]Power Amp[/B][/COLOR] [COLOR=Black]ATC P1. [/COLOR]  ​ [COLOR=#a52a2a][B]Speakers[/B][/COLOR] Triangle Magellan Cello.     [COLOR=#A9A9A9]Oh Sting, where is thy death?[/COLOR]

  5. #5
    Join Date: Oct 2010

    Location: North Bucks, UK

    Posts: 562
    I'm Ron.

    Default

    Great idea Andrei and congrats on the excellent pictorial procedure guide. Did something like this to dampen the underneath of the cast ali chassis pan sometime back.
    I already have a MN Ali/Cu platter but you have alerted me to a product that I could use to help deaden the sound of my Moth Mk3 pro RCM which when fired up in anger makes an unbearable racket. The thermal properties of Dynamat used in the manner I have in mind may or may not cause an over heating prob but there are vent holes in my RCM. Big sorry for thread drift and keep posting your ideas and implementations mate. I have found that there is always multiple usage for products other than originally intended, squash balls anyone?

    Ron

  6. #6
    Join Date: Apr 2013

    Location: Granes - Haut Vallee de l'aude - EU

    Posts: 2,831
    I'm Richard.

    Default Nice work Andrei

    Looks good, and I take it is sounding good, so great result. To answer some of your questions based on what a chum of mine tells me (who incidentally produces a belt drive turntable using his patented vector idea, which doesn't create that pull you refer to, although I don't think bearing strain is the primary reason for it - I'm not sure what the quoted service interval on a belt drive bearing is but there's a few that have gone round the clock, and the thrust surface usually wears first).

    You are quite right - balance is unlikely to knacker a bearing. It is however quite important to the turntable - the good news being it's nothing special on the standard platter. The effect of imbalance (much more so than mass, or even inertia, within limits) is to put a strain on the servo mechanism (which IS the idea behind vector). For this reason Technics engineers dynamically balanced the platters on the SP10 - issuing a "balance passed" sticker for them (which presumably promptly put them out of balance again - we split hairs).
    Damping often improves results but can be unpredictable. It was clearly the solution chosen by the Technics engineers originally, although, as you have demonstrated, not all that well done. However, it is not a panacea. I remember a prototype platter Arthur built our of MDF - about as dead as you could wish for. Not a happy experiment.

    Bonding a mat to it on the other side of course also damps it to a degree. I'm continuing to enjoy my own newly acquired Technics record playing device. Happy listening

  7. #7
    Join Date: May 2011

    Location: Westchester, NY, USA

    Posts: 202
    I'm Mike.

    Default

    Thanks for this tip. Back to ebay to purchase another round of Dynamat Extreme for this application. I applied this inside my speakers - to prevent ringing from the drivers and passive radiators, apply it to the outer metal baskets. This will help deaden the ringing that resonates from your speakers. No need it to apply it to tweeters magnet since it does not resonate.
    Anyone who thinks CDs sound better needs to listen to my system. Besides, my cables sound better than yours.

    Technics SL1200-MK2 SE-1: MN Bearing + Baseplate + AL/CU Platter, Paul Hynes SR7 Power Supply, Isonoe Feet, SME V, Audio Technica AT33EV, CableMaker 1 Tonearm Cable
    Technics SL1200-MK2 SE-2: MN Bearing + Baseplate, Copper Mat, Paul Hynes SR7 Power Supply, Isonoe Feet, SME 309, Audio Technica ATOC9/MLII, CableMaker 1 Tonearm Cable

  8. #8
    Join Date: Sep 2009

    Location: Essex, UK

    Posts: 3,445
    I'm Andy.

    Default

    Quote Originally Posted by CableMaker1 View Post
    Thanks for this tip. Back to ebay to purchase another round of Dynamat Extreme for this application. I applied this inside my speakers - to prevent ringing from the drivers and passive radiators, apply it to the outer metal baskets. This will help deaden the ringing that resonates from your speakers. No need it to apply it to tweeters magnet since it does not resonate.

    System; Michell Gyrodec SE/ Orbe Clamp/ Gert Pedersen armboard mod/ HR PSU/ SME V / J7 Tonearm cable/Ortofon Cadenza Black// Jez Arkless Turbo nutter B------ /Trichord Dino+

    Amplification and loudspeaker set up is at the moment being split into two groups, comprising the following;


    1. Same sources as above; SONY TAF-770ES/SONY CDP761E/Cable Talk 3.1 loudspeakercable/ Harbeth Compact7ES2/ Stands

    2. Virtue Audio Sensation M451battery PSU, ClarityCaps upgrade/ Sensation M901/Russian PIO caps with Teflon bypass caps upgrade/ JT Dynamic PSU with various tweaks/ Connex Audio 5N Litz loudspeaker cable, Impulse H6 Loudspeakers.




















    Me so horny- Impulse H6 Horny

  9. #9
    Join Date: Apr 2011

    Location: Surrey

    Posts: 4,162
    I'm Mike.

    Default

    Great stuff Andrei
    I wonder if you have let us in on a new wonder material for use in all sorts of areas
    TAD CD / DAC / Pre, Technics 1210, MCRU PSU, Mike New Bearing & Platter, Stillpoints LP1 weight, Speedy Steve Ebony armboard, Fidelity Research FR64FX arm, Ortofon SPU. Aurorasound VIDA Phono Pre Amp, TAD Power Amp, TAD E1 speakers. Coherent RTZ 3 Grounding box, Coherent grounding cables, Creaktiv racks. Coherent Mains Cables. SR Blue Fuse. Interconnects : Coherent and Yannis 223.5 Connect Litz. Coherent speaker cable. Audio Magic Transcendence Conditioner. Coherent mains socket. Mains Filters : , PS Audio Harvesters, Russ Andrews Purifiers, Tacima, Vertex. Black Ravioli and RDC supports. Electric Beach S1NX platforms for TAD CD and Technics. Ferrite chokes everywhere except the above. Ears, brain

    Mike

  10. #10
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,382
    I'm Chris.

    Default

    Quote Originally Posted by Marco View Post
    Great work, Andrei!

    It neatly highlights, yet again, the very obvious limitations of the stock platter, which MUST be addressed before one can genuinely call the Technics a 'hi-fi turntable'!



    Marco.
    So a standard SL1200 is not a hifi turntable ? A lot of folk think that lol
    Chris

    We've gone on holiday by mistake !

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