Location: Somerset, UK
Posts: 717
I'm King.
We won't mention the high heels and ra-ra skirt if you don't
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Wow... a fantastic collection of turntables. It seems you have a penchant for flying saucer-type DD decks Your collection is completely understandable to me (I'm the same about reel to reel machines, though have less space!). I love your DIY JVC in particular. It looks like a really professional plinth job.
And very neat shelves too...
Do you have each deck matched with a particular phono stage, and switched into your amp, or do you re-connect your decks depending on which one you fancy listening to at any given time?
Simply stunning....even my partner is impressed and she is usually completely indifferent to all things audio, well done.
The SP15 intrigues me, the plinth looks great, it's acrylic I take it, if it sounds half as good as it looks you've got a real winner there,
Cheers
Ralph
The AR deck looks the same as the UK "Legend" model (and was a wolf in sheep's clothing once the bearing was sorted out as I recall).
On a personal note, how does the SL150 fare in this company? In the next few months, I'm intending to get my Rega "Lustre" R200 sorted out and fitted to mine. I understand that it will need careful siting and remember it sounding fairly gentle, rather than resonant...
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
Hi Kcc123
I am really glad I asked you to post some photos......very nice Thank you for taking the time to do it.
Nice to read that someone else doesn't get rid of old gear (I keep mine too).
Regards D S D L
Regards Neil
If I still had all the "old" gear I used to own, I'd need a VERY big house and if I sold all this un-used stuff I'd be a rich man
Sentimentality can be a bad thing............................................. ...................
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
Hi Dave
Yes what you say is very true. However I do use a fair bit of it quite regularly and a lot more now since joining AOS and writing reviews for the forum. Anything that really did not work out for me in the past has gone, so I don't keep everything just most of it.
Regards D S D L
Regards Neil
Location: Somerset, UK
Posts: 717
I'm King.
Hi,
First of all, thank you for your comments!
Regarding to phono matching, it all depends on the cartridge being used. I always try different phono stages or preamps and get a sonic picture first before the final decision to be settled, not easy though.
Most of the time I tend to partner my self-built passive preamp (DACT CT1 10K attenuator) with one of the phono stages for serious listening, it provides me a more transparent insight into the music. Of course, many people are probably not very keen on the idea of using a passive preamp in their system; they think the dynamics will be compromised. But their poison is my meat and I don’t really care.
Location: Somerset, UK
Posts: 717
I'm King.