Engineers: fixing problems you didn't know you had in ways you don't understand.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: South downs
Posts: 3,477
I'm James.
Only real men have the cojones to track at 15g ... According to a German website that gives the specs on that cart.
Really? Lurvely... Bet it had real 'balls'!!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
The V15 series tracks superbly and with utter stability Marco, just not in that curvy gas pipe thingy you use
I remember the Bond St branch still using Garrard 4HF's in the 1970's basement classical dept (the 4HF had a distinctive off-white plinth, curved to follow the top plate shape IIRC), but the first really good HiFi I ever heard was in 1970 or so, where the rock dept on the first floor had a Thorens 150 with Ortofon M15 (gold body, blue stylus assembly) into a Quad 33/303 and B&W DM1's (I think as the DM3 was much bigger), these sitting sideways on the suspended ceiling framework above. Wonderfully clear sound (the DM1's may have tightened up with age now, but the midrange is still phenominal IMO, judging by Alex's pair!). Playing yes 'Close To The Edge,' I was stunned. This system survived a good few years up there, the TD150 becoming a 160 with Shure M75-6S (the tone controls were well in use by now) and KEF's replacing the B&W's (can't remember if the whole setup was replaced by then).
I bought much of my vinyl collection in the Bond St store I remember........
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
Location: Devon
Posts: 1,903
I'm stu.
This is the same as the one i have.
Little idle wheel and tiny spindle/bearing;
301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach
It wasn't just HMV that used good gear - a small family-run record shop here in Chelmsford had a Thorens 150 fitted with SME 3009 and a good quality cartridge (though I can't remember what it was) running into Mordant Short Pagent 2s via a Quad 33/303.
It was an excellent shop, staffed by knowledgable and helpful staff who wouldn't quibble at all if you returned an LP as a bad pressing. They would apologise and simply say "the only way record companies will improve their quality control is if we send back all the poor pressings". Quite unlike HMV, where you had a real battle on your hands to convince them to provide a replacement for a poor pressing.
The sad thing is, HMV forced this shop and another small but equally good record shop out of business, when HMV opened up their shop in Chelmsford. That added to the fact that the staff are not particularly knowledgeable about anything, other than the price, is why I couldn't care less if HMV goes bust or not.
Barry
Ah, memories. I shopped there a little later (probably around 1973 or so on my first trip), and later still at Simon's Records (they of the Portuguese imports) and the shoe shop that first hosted Virgin Records upstairs. Later still was the Megastore and who could forget Tower Records in Piccadilly Circus with the most fab classical record department I ever saw.
Great history there.
So many genres and things to explore! The late 70's and early 80's when I did my record buying in Winchester, Southampton and Brighton could not compete with that.
It was a very different high street. Now it's all Mobile phone shops - How many of them does one need? I wonder what will be replacing them when their time is done?
System: Turntable : SP10 MKII slate plinth, Custom Ebony tonearm board, Arm : Fidelity Research FR64s, Cartridge : SPU Royal N. SUT : Lundahl 1:13. Phonostage : Icon Audio, Streaming RPi/Kali reclocker -> I2S -> DSP XO / Pre / 4 DAC's : WAF Najda, 5 Poweramps : 3 x EL84 SET's, 2 x D class amps on bass channels, Speakers : 5 way front loaded horn system: 2 X Tapped sub 15" LF drivers / 2 X Exponential mid bass 15" drivers / Tractrix 200Hz mid horns with JBL2482's, / Tractrix 550Hz upper wooden horns with factory refurb'd Vitavox S2's / Raal Lazy Ribbons as high frequency tweeters. Wires: good silver or good copper where best suited. DIY RCM.
Maker of tonearm boards, armpods, Tannoy GRF style speaker cabinets, horn speakers, counterweights and more.
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