+ Reply to Thread
Page 2 of 3 FirstFirst 123 LastLast
Results 11 to 20 of 28

Thread: HMV - oxford street in the 1960's - Some great pics + some more articles

  1. #11
    Join Date: Nov 2012

    Location: London

    Posts: 756
    I'm paul.

    Default

    Quote Originally Posted by Beobloke View Post
    They're actually HMV's own decks, as you can see on http://www.grammofoon.com/ - go to the 'His Master's Voice' link where there's more information, although sadly in Dutch! However, with chunky ceramic cartridges like you can see on them, I'm not sure I'd have bought any records that I tried out on them...
    The Gramaphone company did not make their own decks they were out sourced to Collaro and Garrard.
    they made the records

  2. #12
    Join Date: Jul 2009

    Location: Hampshire, UK

    Posts: 3,665
    I'm Adam.

    Default

    Quote Originally Posted by Marco View Post
    Lol... Thanks for the clarification

    You and I will have to differ (as I'm a fan of some of said "clunky" cartridges), and so I suspect that the sound would've been rather good, provided that the whole record playing process was carried out with care, as I'm sure would've largely been the case in those days, because people then generally had more class and respect for property that wasn't theirs, than they do now (especially with some of the 'zombies' one sees walking the streets of cities these days)!

    Marco.
    Hmm, that's as maybe but it looks like an HMV 91065C cartridge dating from 1953 so I'd still suspect a tracking weight measured in tens of grams!

    Quote Originally Posted by loo View Post
    The Gramaphone company did not make their own decks they were out sourced to Collaro and Garrard.
    they made the records
    Very true. For clarity, perhaps I should have said they are "HMV-badged" units.
    Engineers: fixing problems you didn't know you had in ways you don't understand.

  3. #13
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Beobloke View Post
    Hmm, that's as maybe but it looks like an HMV 91065C cartridge dating from 1953 so I'd still suspect a tracking weight measured in tens of grams!
    Since when has something like that ever deterred this big daftee?

    Far better than a Shure V15, tracking at less than a nano-feather, and skipping all over the place like a drunken ballerina!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #14
    Join Date: Dec 2011

    Location: South downs

    Posts: 3,477
    I'm James.

    Default

    Only real men have the cojones to track at 15g ... According to a German website that gives the specs on that cart.

  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Really? Lurvely... Bet it had real 'balls'!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #16
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

    Default

    Quote Originally Posted by Marco View Post
    Since when has something like that ever deterred this big daftee?

    Far better than a Shure V15, tracking at less than a nano-feather, and skipping all over the place like a drunken ballerina!!

    Marco.

    The V15 series tracks superbly and with utter stability Marco, just not in that curvy gas pipe thingy you use


    I remember the Bond St branch still using Garrard 4HF's in the 1970's basement classical dept (the 4HF had a distinctive off-white plinth, curved to follow the top plate shape IIRC), but the first really good HiFi I ever heard was in 1970 or so, where the rock dept on the first floor had a Thorens 150 with Ortofon M15 (gold body, blue stylus assembly) into a Quad 33/303 and B&W DM1's (I think as the DM3 was much bigger), these sitting sideways on the suspended ceiling framework above. Wonderfully clear sound (the DM1's may have tightened up with age now, but the midrange is still phenominal IMO, judging by Alex's pair!). Playing yes 'Close To The Edge,' I was stunned. This system survived a good few years up there, the TD150 becoming a 160 with Shure M75-6S (the tone controls were well in use by now) and KEF's replacing the B&W's (can't remember if the whole setup was replaced by then).

    I bought much of my vinyl collection in the Bond St store I remember........
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  7. #17
    Join Date: Nov 2009

    Location: Devon

    Posts: 1,903
    I'm stu.

    Default

    This is the same as the one i have.
    Little idle wheel and tiny spindle/bearing;

    301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach

  8. #18
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,042
    I'm openingabottleofwine.

    Default

    Quote Originally Posted by DSJR View Post
    The V15 series tracks superbly and with utter stability Marco, just not in that curvy gas pipe thingy you use


    I remember the Bond St branch still using Garrard 4HF's in the 1970's basement classical dept (the 4HF had a distinctive off-white plinth, curved to follow the top plate shape IIRC), but the first really good HiFi I ever heard was in 1970 or so, where the rock dept on the first floor had a Thorens 150 with Ortofon M15 (gold body, blue stylus assembly) into a Quad 33/303 and B&W DM1's (I think as the DM3 was much bigger), these sitting sideways on the suspended ceiling framework above. Wonderfully clear sound (the DM1's may have tightened up with age now, but the midrange is still phenominal IMO, judging by Alex's pair!). Playing yes 'Close To The Edge,' I was stunned. This system survived a good few years up there, the TD150 becoming a 160 with Shure M75-6S (the tone controls were well in use by now) and KEF's replacing the B&W's (can't remember if the whole setup was replaced by then).

    I bought much of my vinyl collection in the Bond St store I remember........
    It wasn't just HMV that used good gear - a small family-run record shop here in Chelmsford had a Thorens 150 fitted with SME 3009 and a good quality cartridge (though I can't remember what it was) running into Mordant Short Pagent 2s via a Quad 33/303.

    It was an excellent shop, staffed by knowledgable and helpful staff who wouldn't quibble at all if you returned an LP as a bad pressing. They would apologise and simply say "the only way record companies will improve their quality control is if we send back all the poor pressings". Quite unlike HMV, where you had a real battle on your hands to convince them to provide a replacement for a poor pressing.

    The sad thing is, HMV forced this shop and another small but equally good record shop out of business, when HMV opened up their shop in Chelmsford. That added to the fact that the staff are not particularly knowledgeable about anything, other than the price, is why I couldn't care less if HMV goes bust or not.
    Barry

  9. #19
    MartinT Guest

    Default

    Ah, memories. I shopped there a little later (probably around 1973 or so on my first trip), and later still at Simon's Records (they of the Portuguese imports) and the shoe shop that first hosted Virgin Records upstairs. Later still was the Megastore and who could forget Tower Records in Piccadilly Circus with the most fab classical record department I ever saw.

  10. #20
    Join Date: Mar 2009

    Location: The New Forest

    Posts: 1,861
    I'm Steve.

    Default

    Great history there.
    So many genres and things to explore! The late 70's and early 80's when I did my record buying in Winchester, Southampton and Brighton could not compete with that.
    It was a very different high street. Now it's all Mobile phone shops - How many of them does one need? I wonder what will be replacing them when their time is done?
    System: Turntable : SP10 MKII slate plinth, Custom Ebony tonearm board, Arm : Fidelity Research FR64s, Cartridge : SPU Royal N. SUT : Lundahl 1:13. Phonostage : Icon Audio, Streaming RPi/Kali reclocker -> I2S -> DSP XO / Pre / 4 DAC's : WAF Najda, 5 Poweramps : 3 x EL84 SET's, 2 x D class amps on bass channels, Speakers : 5 way front loaded horn system: 2 X Tapped sub 15" LF drivers / 2 X Exponential mid bass 15" drivers / Tractrix 200Hz mid horns with JBL2482's, / Tractrix 550Hz upper wooden horns with factory refurb'd Vitavox S2's / Raal Lazy Ribbons as high frequency tweeters. Wires: good silver or good copper where best suited. DIY RCM.

    Maker of tonearm boards, armpods, Tannoy GRF style speaker cabinets, horn speakers, counterweights and more.
    For more information about my creations and products please click below

    http://fosworld.wixsite.com/magna-audio & on Instagram https://www.instagram.com/magna_audio/

+ Reply to Thread
Page 2 of 3 FirstFirst 123 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •