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Thread: 1210 - Journey to audionirvana @ PT

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  1. #1
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Nope - I can say with some certainty that the sonic effect of the Mike New bearing is NOT subtle (providing that the rest of the turntable has been optimised to take full advantage of it)

    In my experience, there are three fundamental items, which transform the SL-1200/1210 into a genuine high-end turntable, capable of competing with the best (as opposed to merely a very good one):

    1) Mike New bearing.
    2) Paul Hynes SR7 PSU (with internal regulator mods).
    3) Funk Firm platter.

    Without those three items (or others of comparable quality) the Technics will sound fab (if judiciously modified in other areas), but escape true greatness. However, it all depends on what your goals are in the first place!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  2. #2
    Join Date: Sep 2013

    Location: Lisbon

    Posts: 158
    I'm Jonathan.

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    Althoug I have no experience with the MN bearing, I don't have a hard time believing that it actually does big difference.

    My first upgrade might be the tone arm as for a stock unit it seems to me as the weakest point of the 1210 stock.

    These Origin Live tone arms seem promising...

    I wouldn't say jumping to a conquer but maybe an illustration would be reasonable.

    Has anyone have any experience with these tone arms and the 1210?

    Would a OL illustration and a Denon DL-103R be a nice choice?

    I imagine most of you would recommend that I first strip off the 1210 PSU and plug it outside, but before going into that I'd say it would only be logical doing that after buying a good external PSU, wouldn't you agree?

  3. #3
    Join Date: Jul 2013

    Location: Kingsbury, NW London

    Posts: 1,233
    I'm Clive.

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    Quote Originally Posted by REXTON View Post
    Have you tried one? I find your comment very hard to believe.
    Andrew, I did look at the MN Bearing today by coincidence. So as I understand your comment, you think the bearing will make a huge difference. So if I purchase said item and don't find the improvement to be be large, will you agree to buy it from me for what I paid for it?
    Clive
    SOURCE:OPPO UDP-205 BluRay, SkyQ, Technics SL1210M5G/HexMat Eclipse/MN Bearing/Origin Live Gravity One puck/Isonoes with Boots/Jelco TK-850S Tonearm/Hana Umami Blue, PS Audio Stellar Phonostage. I also have an AT-OC9XSH as a spare cartridge.
    AMPLIFIER: Bryston BR-20 Pre/DAC/Streamer & Bryston 4B3 Power Amplifier
    SPEAKERS: Spendor D7 on Iso-Acoustics Gaia III’s
    HEADPHONES: OPPO PM-1 with Atlas Zeno cable, B&W Pi7 S2 and B&W C5 v2.
    CABLES: Analogue: Speaker Atlas Mavros Grun. Interconnect - Atlas Mavros XLR x3, MCRU Silver Tonearm cable
    Digital:Audioquest Carbon Ethernet x 4, Audioquest Carbon digital, English Electric 8Switch, Chord Optichord, Atlas Optical.
    Mains: PS Audio Perfectwave AC-05 x 5, Isol-8 Powerline Extreme with Quantum Science yellow fuse on input cable, Sounds Fantastic 6way Mains Blocks.
    STORAGE: Synology DS216J NAS with 2 x 3Tb WD Red hard-drives. Samsung 500Gb SSD.
    TV LG55B7 OLED

  4. #4
    Join Date: Nov 2008

    Location: Valley of the Hazels

    Posts: 9,139
    I'm AMusicFanNotAnAudiophile.

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    I have been running a MNB in my deck since the MCRU weekend, and it is IMO a serious improvement over the stock bearing.
    It brings greater bass solidity and improved inner detailing to the party.
    I haven't noticed any timing issues, despite the nonsense posted in some places on the interweb about drag issues.

    I had improved the performance of my deck's original bearing by placing an O ring in the bearing well on the chassis, and damping the bearing brought gains in overall resolution.
    The MNB brought further improvements again.

    Why not give David at MCRU a call about the MNB?
    Last edited by Stratmangler; 22-09-2013 at 21:04.
    Chris



    Common sense isn't anymore!

  5. #5
    Join Date: Sep 2009

    Location: Essex, UK

    Posts: 3,445
    I'm Andy.

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    Quote Originally Posted by Stratmangler View Post
    I have been running a MNB in my deck since the MCRU weekend, and it is IMO a serious improvement over the stock bearing.
    It brings greater bass solidity and improved inner detailing to the party.
    I haven't noticed any timing issues, despite the nonsense posted in some places on the interweb about drag issues.

    I had improved the performance of my deck's original bearing by placing an O ring in the bearing well on the chassis, and damping the bearing brought gains in overall resolution.
    The MNB brought further improvements again.

    Why not give David at MCRU a call about the MNB?

    Chris do you have any images of your tweak, as l love playing with my bits
    System; Michell Gyrodec SE/ Orbe Clamp/ Gert Pedersen armboard mod/ HR PSU/ SME V / J7 Tonearm cable/Ortofon Cadenza Black// Jez Arkless Turbo nutter B------ /Trichord Dino+

    Amplification and loudspeaker set up is at the moment being split into two groups, comprising the following;


    1. Same sources as above; SONY TAF-770ES/SONY CDP761E/Cable Talk 3.1 loudspeakercable/ Harbeth Compact7ES2/ Stands

    2. Virtue Audio Sensation M451battery PSU, ClarityCaps upgrade/ Sensation M901/Russian PIO caps with Teflon bypass caps upgrade/ JT Dynamic PSU with various tweaks/ Connex Audio 5N Litz loudspeaker cable, Impulse H6 Loudspeakers.




















    Me so horny- Impulse H6 Horny

  6. #6
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,353
    I'm Andrew.

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    Quote Originally Posted by Clive197 View Post
    Andrew, I did look at the MN Bearing today by coincidence. So as I understand your comment, you think the bearing will make a huge difference. So if I purchase said item and don't find the improvement to be be large, will you agree to buy it from me for what I paid for it?
    Clive
    Clive, why the hell would I want two MN bearings?
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker



  7. #7
    Join Date: Jul 2013

    Location: Kingsbury, NW London

    Posts: 1,233
    I'm Clive.

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    Quote Originally Posted by REXTON View Post
    Clive, why the hell would I want two MN bearings?
    AhHa, so you are not confident I would find a huge improvement. So I will stick with my original thought, unless proved otherwise.
    I totally understand that we all have different perceptions, so may I take this opportunity to say that we agree to disagree.
    SOURCE:OPPO UDP-205 BluRay, SkyQ, Technics SL1210M5G/HexMat Eclipse/MN Bearing/Origin Live Gravity One puck/Isonoes with Boots/Jelco TK-850S Tonearm/Hana Umami Blue, PS Audio Stellar Phonostage. I also have an AT-OC9XSH as a spare cartridge.
    AMPLIFIER: Bryston BR-20 Pre/DAC/Streamer & Bryston 4B3 Power Amplifier
    SPEAKERS: Spendor D7 on Iso-Acoustics Gaia III’s
    HEADPHONES: OPPO PM-1 with Atlas Zeno cable, B&W Pi7 S2 and B&W C5 v2.
    CABLES: Analogue: Speaker Atlas Mavros Grun. Interconnect - Atlas Mavros XLR x3, MCRU Silver Tonearm cable
    Digital:Audioquest Carbon Ethernet x 4, Audioquest Carbon digital, English Electric 8Switch, Chord Optichord, Atlas Optical.
    Mains: PS Audio Perfectwave AC-05 x 5, Isol-8 Powerline Extreme with Quantum Science yellow fuse on input cable, Sounds Fantastic 6way Mains Blocks.
    STORAGE: Synology DS216J NAS with 2 x 3Tb WD Red hard-drives. Samsung 500Gb SSD.
    TV LG55B7 OLED

  8. #8
    Join Date: Sep 2013

    Location: Lisbon

    Posts: 158
    I'm Jonathan.

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    Five pages of posts and still no recommendation on cartridge????

    SOS 1210 101... Please!

    I think I'm going to pull the trigger on a Denon DL-103R with the stock arm and had a sumiko head shell to it an a weight (of how much and bought from where?).

    Thereafter I'll start my actual upgrade path...

    The 103r should be ok for a future SME or Origin live tonearm, right?

  9. #9
    Join Date: Nov 2008

    Location: Valley of the Hazels

    Posts: 9,139
    I'm AMusicFanNotAnAudiophile.

    Default

    An Ortofon 2m Red is a very capable performer.
    Doesn't cost a wedge either.
    Chris



    Common sense isn't anymore!

  10. #10
    Join Date: Sep 2013

    Location: Lisbon

    Posts: 158
    I'm Jonathan.

    Default

    Quote Originally Posted by Stratmangler View Post
    An Ortofon 2m Red is a very capable performer.
    Doesn't cost a wedge either.
    Could be an option, but I have the general impression that ortofons sound a tad "digital" in terms of a bit of hardness on the top frequencies...

    Very clean, some detail but a tad less color. It seems a great match for people who already have woody, colored, romantic system.

    But that is not my case.

    My system is currently towards the neutral side and was looking something of a nostalgic analog tube feel to it with my turntable as source.

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