+ Reply to Thread
Page 1 of 11 123 ... LastLast
Results 1 to 10 of 102

Thread: Steve's next turntable journey Pioneer PL-71

  1. #1
    Join Date: Mar 2009

    Location: The New Forest

    Posts: 1,861
    I'm Steve.

    Default Steve's next turntable journey Pioneer PL-71

    Well it arrived today - handy having taken the day off.

    Got it going in short time.
    Used the Technics headshell as the one that came with it looked like the cheapo I had with my first decks back in the 70's and in fact the 33 PTG is too wide for them - I know a Sumiko headshell would be a worthwhile upgrade but firstly how does it look?








    How does it sound?
    Well divine in all truth - no other word for it. It is everything Richard aka Gromit (who was round at my place a while back) said it would be.
    He is so much better at writing down what the lugs are hearing - guess it's being a pro musician...

    It's so musical and rhythmic - makes you want to tap your feet and listen and listen. Even Mrs Speedy said the same thing.



    Anyway.

    Next to clean it up and re-cap it. Get that Sumiko headshell - can't see my getting a SPU anytime soon though...
    http://www.pinkfishmedia.net/forum/s...ad.php?t=60672
    Last edited by Magna Audio; 15-05-2009 at 16:29.
    System: Turntable : SP10 MKII slate plinth, Custom Ebony tonearm board, Arm : Fidelity Research FR64s, Cartridge : SPU Royal N. SUT : Lundahl 1:13. Phonostage : Icon Audio, Streaming RPi/Kali reclocker -> I2S -> DSP XO / Pre / 4 DAC's : WAF Najda, 5 Poweramps : 3 x EL84 SET's, 2 x D class amps on bass channels, Speakers : 5 way front loaded horn system: 2 X Tapped sub 15" LF drivers / 2 X Exponential mid bass 15" drivers / Tractrix 200Hz mid horns with JBL2482's, / Tractrix 550Hz upper wooden horns with factory refurb'd Vitavox S2's / Raal Lazy Ribbons as high frequency tweeters. Wires: good silver or good copper where best suited. DIY RCM.

    Maker of tonearm boards, armpods, Tannoy GRF style speaker cabinets, horn speakers, counterweights and more.
    For more information about my creations and products please click below

    http://fosworld.wixsite.com/magna-audio & on Instagram https://www.instagram.com/magna_audio/

  2. #2
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

    Default

    The more I look at that arm, the more like a Rega R200 it looks - and that latter arm was always supremely musical to listen to (can't wait until I can afford to get mine re-wired)..

    The lateral balance weight should face downwards I think, although it's appearance guiding this comment - Rega used to fit some thick sleeving on the rod and all but jam the weight up against it to minimise vibration...

    Enjoy.............................. Regarding caps, does the deck malfunction? I appreciate its age, but Japanese components at the time were rather longer lasting as I recall. Obviously, RD and possibly gromit wil have done this already, but if it aint wrong, don't balls it up is my motto after decades of doing just that!!!!!


    P.S. The AT cartridges don't seem to "drive" the headshell (I'm getting little to no "handling noise" with my Dual 701/OC9 surprisingly) and arm like many lower compliance cartridges do, so the shell you're using should be ample for now I reckon.
    Last edited by DSJR; 15-05-2009 at 17:05.
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  3. #3
    MartinT Guest

    Default

    Looks gorgeous. I'm old enough to remember lusting after one in Lindair on Tottenham Court Road (close to Laskys). I also remember looking at the Technics SL-120/1200 brochure that came in my dad's Scientific American around that time. I never would have believed that I would own one some 37 years later.

  4. #4
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Looking great, Steve - nice one!

    The wood finish on the PL-71 adds a touch of class, and like Dave says, the arm is so like an R-200 (Lustre) it's unreal. The latter, IMO, is one of the reasons why the PL-71 sounds so musical. I don't even think Richard (Gromit) realises how influential the tonearm is in its overall sound...

    You just can't judge a Techy with a bloody (modern) Rega arm! Listen to one with a Jelco or SME and it's a different ball game

    We'll have to have a D/D bake-off sometime so I can get to hear what all the fuss is about with the Pioneer

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #5
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

    Default

    I have plans for my SL150, getting a SoundSupport Rega cut plate for it with three extra holes for the Kenwood arm and usefully for the R200 too. The Kenwood's chuck assembly may not work with the recessed Techie plate (similar size and style to the 1200 plate but with four fixing screws in a different place), but the R200 should be fine as-is.

    A question. The R200 has a plastic spacer which may be better with the Technics metal arm plate possibly. Audio Origami (Jonny) made a metal spacer for the R200 he re-furbished which looked really good IMO. Any thoughts guys?
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  6. #6
    Join Date: Mar 2009

    Location: The New Forest

    Posts: 1,861
    I'm Steve.

    Default

    Well, it's got the SL-1210 and the Parallel air arm licked for cohesion.
    This is both my DIY version and a real Terminator BTW.
    I think there is more tweaking to be done with the air arm.

    Need to lower the air rate and dampen that blade more - perhaps a silicone sealant bead on it?

    The SL-1210 / air arm does bass deeper but the PL-71 is a more musical bass.

    Quite an achievement when you look at it.
    The mat is stiff plastic with only a few contact rings but it just works.

    Not tried a thick felt or rubber mat - somehow I feel it in my bones that it won't be so good - might be wrong though.

    Missus likes the wood too.
    System: Turntable : SP10 MKII slate plinth, Custom Ebony tonearm board, Arm : Fidelity Research FR64s, Cartridge : SPU Royal N. SUT : Lundahl 1:13. Phonostage : Icon Audio, Streaming RPi/Kali reclocker -> I2S -> DSP XO / Pre / 4 DAC's : WAF Najda, 5 Poweramps : 3 x EL84 SET's, 2 x D class amps on bass channels, Speakers : 5 way front loaded horn system: 2 X Tapped sub 15" LF drivers / 2 X Exponential mid bass 15" drivers / Tractrix 200Hz mid horns with JBL2482's, / Tractrix 550Hz upper wooden horns with factory refurb'd Vitavox S2's / Raal Lazy Ribbons as high frequency tweeters. Wires: good silver or good copper where best suited. DIY RCM.

    Maker of tonearm boards, armpods, Tannoy GRF style speaker cabinets, horn speakers, counterweights and more.
    For more information about my creations and products please click below

    http://fosworld.wixsite.com/magna-audio & on Instagram https://www.instagram.com/magna_audio/

  7. #7
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,829
    I'm Clive.

    Default

    I wonder how Terminator would be on the Pioneer.

    If you want to lower the air pressure to absolute min then you need to use ally angle and saddle that is highly polished, I use my pump on the min setting with this. Big difference in air pressure.

  8. #8
    Join Date: Mar 2009

    Location: The New Forest

    Posts: 1,861
    I'm Steve.

    Default

    I currently wet and dry'd the saddle / manifold to 1200 grade - could polish.

    Had a look under the PL-71 hood - all very clean apart from a light spiders web.

    Gave the moving parts a clean up.
    Caps look like any other modern electrolytic.
    It might even benefit from a signal and power wire recable to some better spec and the power diodes are, well, not in modern Hexfred league I am sure but this is not an amp in the signal path so will leave as is since it is working so well.

    More listening on some varied stuff has revealed what a good all rounder this is. It just likes all sorts of vinyl. Stuff that has irritated me a little before or sounded a bit thin sounds flippin' marvellous.

    I know Gromit and co. did a bake off - LP12, PL-71, SL-1210 which is written up...
    System: Turntable : SP10 MKII slate plinth, Custom Ebony tonearm board, Arm : Fidelity Research FR64s, Cartridge : SPU Royal N. SUT : Lundahl 1:13. Phonostage : Icon Audio, Streaming RPi/Kali reclocker -> I2S -> DSP XO / Pre / 4 DAC's : WAF Najda, 5 Poweramps : 3 x EL84 SET's, 2 x D class amps on bass channels, Speakers : 5 way front loaded horn system: 2 X Tapped sub 15" LF drivers / 2 X Exponential mid bass 15" drivers / Tractrix 200Hz mid horns with JBL2482's, / Tractrix 550Hz upper wooden horns with factory refurb'd Vitavox S2's / Raal Lazy Ribbons as high frequency tweeters. Wires: good silver or good copper where best suited. DIY RCM.

    Maker of tonearm boards, armpods, Tannoy GRF style speaker cabinets, horn speakers, counterweights and more.
    For more information about my creations and products please click below

    http://fosworld.wixsite.com/magna-audio & on Instagram https://www.instagram.com/magna_audio/

  9. #9
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    It's a top quality deck, Steve, and would disgrace most so-called 'hi-end' modern T/Ts - use it and enjoy it accordingly!

    Some people still appear to be slaves to their 'fruitbox' prejudices and fail to 'get' just how good turntables like this are compared to most of the bollocks made nowadays at any kind of an affordable level.

    Yes, I believe that Gromit did do a D/D bake-off but if I remember correctly the Techy was either an unmodified one, or one which had only been lightly modified, so not really conclusive in terms of ascertaining its inferiority to the PL-71 or otherwise.

    I'd like to do a D/D bake-off using my own 'fully-optimised' version to represent the Techy with also Scoobs' DP-80 and Mike's DP-3000 Denons. Would you like to take part and bring your PL-71 along to represent Pioneer?

    I simply must hear one of these PL-71s, because if it outperforms my 1210 (given what I've done to it), it'll outperform any 1200 or 1210.

    The truth must be discovered...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #10
    Join Date: Mar 2009

    Location: The New Forest

    Posts: 1,861
    I'm Steve.

    Default

    I'd be up for that depending on where.
    Yes think the SL-1210 in that bake was standard - arms and the rest make a hell of a difference.

    I've just been listening on the Stax and compared some mats.

    On the phones I prefer the thick rubber mat to the Pioneer hard plasticy one.
    Deeper bass and nice balance. Could be wrong on the amp and speakers but I doubt it.

    Also looked at the manual for it. The lateral balance should be 20-24mm out and centre of gravity is set by it's height. Trying it low now. The overhang shuold be 14.5mm - that's exactly what the OL Rega arm set up card I used has given it...
    System: Turntable : SP10 MKII slate plinth, Custom Ebony tonearm board, Arm : Fidelity Research FR64s, Cartridge : SPU Royal N. SUT : Lundahl 1:13. Phonostage : Icon Audio, Streaming RPi/Kali reclocker -> I2S -> DSP XO / Pre / 4 DAC's : WAF Najda, 5 Poweramps : 3 x EL84 SET's, 2 x D class amps on bass channels, Speakers : 5 way front loaded horn system: 2 X Tapped sub 15" LF drivers / 2 X Exponential mid bass 15" drivers / Tractrix 200Hz mid horns with JBL2482's, / Tractrix 550Hz upper wooden horns with factory refurb'd Vitavox S2's / Raal Lazy Ribbons as high frequency tweeters. Wires: good silver or good copper where best suited. DIY RCM.

    Maker of tonearm boards, armpods, Tannoy GRF style speaker cabinets, horn speakers, counterweights and more.
    For more information about my creations and products please click below

    http://fosworld.wixsite.com/magna-audio & on Instagram https://www.instagram.com/magna_audio/

+ Reply to Thread
Page 1 of 11 123 ... LastLast

Tags for this Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •