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Thread: Spot the cartridge

  1. #21
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    The Bloodstone Platinum, the Blue Lace Onyx, but I believe you can have it fitted to any of them as a special order ($4K extra).
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  2. #22
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    Quote Originally Posted by YNWaN View Post
    The Bloodstone Platinum, but I believe you can have it fitted to any of them as a special order.
    Not as standard http://www.needledoctor.com/Koetsu-B...hono-Cartridge

  3. #23
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    Says here one piece diamond -

    http://www.stoneaudio.co.uk/?manufacturer=koetsu

  4. #24
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    Found one (bloodstone) claiming to have a diamond cantilever - but not a onesie specifically (although could be - no claims, photo not good enough to see). But, from the bad photo, it looks more like a 2 piece like the ruby cantilevers. Why is it so hard to get hard facts about cartridges these days - never mind a few performance graphs. It's not like its hard to measure a cartridge frequency response and a 1K and 10K square wave

  5. #25
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    Quote Originally Posted by prestonchipfryer View Post
    we crossed in the post

  6. #26
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    If you look at the Koetsu.com website they definitely state it is a one piece (or monocoque as they put it) construction and not two piece.

    Another upgrade is the Diamond cantilever option. As the name suggests, the stylus/cantilever assembly is machined out of a solid piece of diamond. This 'monocoque' structure effectively removes the interface issues associated with regular stylus/cantilever assemblies.
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  7. #27
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    352 views and nobody has asked me what it sounds like!

  8. #28
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    And, so far, you've posted 11 times on the thread and not said anything about its sound....
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  9. #29
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    Quote Originally Posted by Oldpinkman View Post
    352 views and nobody has asked me what it sounds like!
    OK OK, What's it sound like?
    SOURCE:OPPO UDP-205 BluRay, SkyQ, Technics SL1210M5G/HexMat Eclipse/MN Bearing/Origin Live Gravity One puck/Isonoes with Boots/Jelco TK-850S Tonearm/Hana Umami Blue, PS Audio Stellar Phonostage. I also have an AT-OC9XSH as a spare cartridge.
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  10. #30
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    Quote Originally Posted by YNWaN View Post
    And, so far, you've posted 11 times on the thread and not said anything about its sound....
    Very good! But I like to be enigmatic. And actually I've been really naughty with that comment, because I alluded to my dissatisfaction with the reference system we were using and want to do it properly in September, and elsewhere noted I am not good at describing how kit sounds.

    Will "flawless" do for a starter. All that MC detail and "sharpness" and delicacy but more so - and the bloody thing can track. Having tried it against the PT/FX3/1022 - which were "warmer" in a good, natural sort of way, but flatter and less spacious, and without that "real" sound to s guitar string plucked, we switched the FX3 onto the technics with the Sony and it really sang. Arthur phoned Germany and bought on the spot. I now wake up each morning with a google for "XL88". "sweet" doesn't really do it justice. Chilled might suggest something. Just fabulous midrange and treble detail and naturalness and space. I still wonder whether that FX3 isn't a bit subdued in the bass - and we explored an idea for another arm to address that, but don't go away with the idea this was bad in any way. Effortless, transparent, musical. I've said before - I hate describing these things.

    But returning to my original fan-dance I'd really like to hear it in a proper system. Interestingly there was no hum on the FX3 with the XL88 even with the wick up full - it was only slight with the Goldring, so that aspect wasn't spoiling anything. But the Moving coil stage in the technics amp is hardly the last word - to say nothing of the poweramp and speakers.

    Maybe the best cartridge I've heard. Just - seconds ago - had a text to say my gramophone needle from Arizona has cleared customs - so that will be an interesting comparison. And AK has dug out a spare Anni sub-chassis as a cheat to get my PT pimping project started. So September may be fun.

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