It might well be that yours being a later vintage Martin that these minor issues have been sorted out now.
Had a fair few Sony components with dry joints through my hands too and what annoys me is that flow soldering is not a new build technique that has yet to be refined so why after all these years do we still find dry joints?
At least you have confirmed that the phono stage works a darn sight better than my experience of it, so hopefully at the next bakeoff I attend there will be a better class of vinyl rig to feed into it, which might spur me on to invest a few quid in another deck