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Thread: Passive SUT vs. active MC preamp?

  1. #1
    Join Date: Apr 2011

    Location: Finland

    Posts: 1,185
    I'm Mika.

    Default Passive SUT vs. active MC preamp?

    Lately I have been hearing some opinions that active MC preamp has proved to be superior in some systems that passive SUTs. Have heard this at my friends system while comparing Technics SU-300MC with the top class Ortofon SUT, so..



    According to my limited experiences with quality SUTs they usually exceed in the mids and especially in timbre, transparency and that kind musical openness which is hard to describe. However the active MC preamps might have advantage in rhythm, scale and dynamics, which in many cases is the achilles heel of SUTs. In my opinion at least some SUTs seem to lack that final punch and dynamics, even with nice synergetic cartridge and quality phonostage, and this might make the whole system sound a bit too soft..

    What do you think of this, so is there something real here or are there SUTs that match the active MC preamps in all respects? Do you have experiences of the active MC preamps or even use one?
    Loricraft / Garrard / SME / Transfiguration / Dynavector / Ensemble / Auditorium 23 / Shindo / RA / Audio Note / Duelund / Altec

  2. #2
    Join Date: Apr 2011

    Location: Finland

    Posts: 1,185
    I'm Mika.

    Default

    Just realized that someone not familiar with these (as they're quite rare) might be thinking that I'm trying to compare here SUT to proper full MC phonostage but that is not the case. I'm referring to active MC preamps that are connected to MM phonostage just like SUTs..

    Come on, someone must have experience of these
    Loricraft / Garrard / SME / Transfiguration / Dynavector / Ensemble / Auditorium 23 / Shindo / RA / Audio Note / Duelund / Altec

  3. #3
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,937
    I'm ChrisB.

    Default

    That would be a head amp as compared to a step up.

    (..........the term head amp had another meaning before the people who use headphones all lost the 'h', 'o' and 'n' keys from their keyboards!)

  4. #4
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,036
    I'm openingabottleofwine.

    Default

    Quote Originally Posted by The Grand Wazoo View Post
    That would be a head amp as compared to a step up.

    (..........the term head amp had another meaning before the people who use headphones all lost the 'h', 'o' and 'n' keys from their keyboards!)
    And "p"s ?
    Barry

  5. #5
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,937
    I'm ChrisB.

    Default

    No....they need the 'p' (and the 'e') to spell head amp!

  6. #6
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,036
    I'm openingabottleofwine.

    Default

    Quote Originally Posted by The Grand Wazoo View Post
    No....they need the 'p' (and the 'e') to spell head amp!
    Ah yes - "think before you type". My excuse would be the half bottle of Médoc I have just consumed!
    Barry

  7. #7
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,937
    I'm ChrisB.

    Default

    Keep drinking - a full bottle brings clarity to your lexicography (or it has to me this evening .....hic!)

  8. #8
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,036
    I'm openingabottleofwine.

    Default

    I ought to respond to Mika's thread, as like most things in audio alternative ways of going about things all have their 'pros and cons', and I will do so. However it is late, so I'll defer my comments to a later time.

    But in general, I'm largely in agreement with Mika's opinion. I have used both SUTs and head amps (some of the latter I have built myself), but for most of the time the head amps have been in use. I did have a notion to do such a comparison again, however the SUTs I have are hardly the 'last word' for such devices.

    Will write more later.
    Barry

  9. #9
    Join Date: Apr 2011

    Location: Finland

    Posts: 1,185
    I'm Mika.

    Default

    Nice one Barry! I already got myself a little worried that the thread will stay empty..
    Loricraft / Garrard / SME / Transfiguration / Dynavector / Ensemble / Auditorium 23 / Shindo / RA / Audio Note / Duelund / Altec

  10. #10
    Join Date: Mar 2010

    Location: Sheffield

    Posts: 2,898
    I'm Simon.

    Default

    I'm genuinely interested in the answer to this I've never tried a step up but struggle to see how it can be 'better' than a low noise active gain stage. I get that the crosstalk and limits of FR extension can be pleasant in some setups but electrically speaking what can they add/ remove that an active stage can't?
    Kuzma Stabi/S 12", (LP12-bastard) DC motor and optical tacho psu, Benz LP, Paradise (phonostage). MB-Pro, Brooklyn dac and psu, Bruno Putzeys balanced pre, mod86p dual mono amps, Yamaha NS1000m

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