Marco a quick question if I may --- when you found superior results with the SUT versus the MC stage of the Whest, which cartridge were you using, was it an SPU? And was it one of the low impedance 2 ohm ones?
The only reason I ask is that if the Whest is like mine, the standard range of loading impedances starts at 100 ohms and rises from there. However the 2 ohm SPU's call for 50 ohms max. Whest custom fitted a 50 ohm resistor into mine at the 5 position for the SPU, but this morning I found that even that is probably a little high. After a friend had pointed out that I seemed to have a slightly rising treble response I measured it using a frequency sweep record and noted it did seem to rise by about 3 or 4 db at the top.
As a result I additionally switched in the 100 ohm resistor to create a 33.3 ohm load for the cartridge, this has smoothed out the response somewhat and has further improved the sound overall.
So it seems to me that the SPU does need quite a low resistance, load-wise, to stop high frequency electrical resonances, values which are unavailable in the standard Whest range of settings. It may well be that an SUT also goes some way towards nullifying these too.
Ahhh... all interesting stuff!
Currently Listening On:
Turntable: Garrard 301 (solid chassis rebuild), SMD reference plinth
Arm: Audio Origami PU7 (12")
Cartridge: Van den Hul Black Beauty
Phono: Whest PS30RDT
Preamp: Scratch built AMB a24/LCDuino/d1/d2, fully balanced
Power amp: Transcendent 15W "Son Of Beast" OTL with upgraded Takman/Mills/ClarityCap MR/Jensen components in signal path
Loudspeakers: Steve Cresswell's old Metronomes