View Poll Results: Can cable dressing and using well-designed supports make a notable difference?

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  • According to my experience it brings notable benefits at least in some areas

    17 68.00%
  • According to my experience to date there are no significant benefits.

    2 8.00%
  • It's all foo and I'm just not going to go there!

    1 4.00%
  • I have no experience of this but I'm open-minded and willing to experiment.

    5 20.00%
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Thread: Addressing the issue of microphony

  1. #11
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    Clive seems a bit of a extreme option and likely impossible for most of us to achieve
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

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  2. #12
    Join Date: Jan 2008

    Location: gone

    Posts: 11,519
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    Quote Originally Posted by Clive View Post
    I run the air pump for my arm in the next room, it's just the other side of a single brick wall. If I did the same with my TT and line-level electronics I could do this with the cables I already have.
    Clive - I deduce from your posting that you understandably run your potentially noisy air pump from an adjacent room. But have you actually tried moving the rest of the equipment (barring speakers, presumably!) into the next room, or are you just havin' a bit o' fun and taking the subject to it's obvious extreme and saying that;s the 'minimum' that needs to be done?!
    .

  3. #13
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,829
    I'm Clive.

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    Quote Originally Posted by John View Post
    Clive seems a bit of a extreme option and likely impossible for most of us to achieve
    John, I agree it's an extreme option. Actually it's one that would be relatively easy for me to do but the inconvenience would be huge in terms of playing records.

    I was only suggesting the idea for those who are determined to extract the very maximum out of their system. Unless such extreme measures are taken you won't get the max. Me? I'm happy to live with the compromise and convenience of my system being in my listening room.
    Last edited by Clive; 07-02-2009 at 12:21.

  4. #14
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,829
    I'm Clive.

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    Quote Originally Posted by jandl100 View Post
    Clive - I deduce from your posting that you understandably run your potentially noisy air pump from an adjacent room. But have you actually tried moving the rest of the equipment (barring speakers, presumably!) into the next room, or are you just havin' a bit o' fun and taking the subject to it's obvious extreme and saying that;s the 'minimum' that needs to be done?!
    Yes I'm having a bit of fun but there is a serious point too. By saying it's the "minimum" what I mean is that anyone who really is pushing to get the max out of their system then this should bring significant benefits. Have I tried this? Partially, I have put the TT in the next room. The improvement was not subtle.

    BTW my listening room is in my cellar so I have quite a lot of flexibility.

  5. #15
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

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    Moving kit to another will deal (in part) with one obvious source of vibration but only one - that from the speakers. You will have some cabling headaches though given the lengths involved. The end result might not be any better if it isn't actually worse.

  6. #16
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,829
    I'm Clive.

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    Quote Originally Posted by Steve Toy View Post
    Moving kit to another will deal (in part) with one obvious source of vibration but only one - that from the speakers. You will have some cabling headaches though given the lengths involved. The end result might not be any better if it isn't actually worse.
    This is why I tried it with my TT, the benefit is probably the greatest here. Especially with the wick turned up.

    It may cause cable problems for some or even many. I just have a wall one brick deep to feed my cables through so it would be no trouble at all in that respect.

  7. #17
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    I was only suggesting the idea for those who are determined to extract the very maximum out of their system. Unless such extreme measures are taken you won't get the max. Me? I'm happy to live with the compromise and convenience of my system being in my listening room.
    Me too! There's a balance to be had between extracting the very maximum from a system and practicality, and also there's a big difference between dressing a few cables at the back of your rack, keeping them from touching walls, and carting turntables around the joint!

    I will always do everything I can to optimise the set-up of my system but it must always fall within the boundaries of what I consider as practical. This is just common sense, really.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

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  8. #18
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,829
    I'm Clive.

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    Quote Originally Posted by Marco View Post
    I will always do everything I can to optimise the set-up of my system but it must always fall within the boundaries of what I consider as practical. This is just common sense, really.

    Marco.
    If I'm being pedantic (which I am), the common sense part applies to working out what extreme it's viable for you to go to. There are situations where preventing having your system not exposed to airborne vibrations is quite a reasonable thing to do. There are people who have built extensions to their house that is purely for a listening room. Having a small closet type of room, just as it often that case with commercial AV rooms, would be a smart thing to do.

  9. #19
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    There are situations where preventing having your system not exposed to airborne vibrations is quite a reasonable thing to do.
    Absolutely, Clive. I'd love to have my whole system in a different room from the speakers (probably in adjacent rooms), for reasons we've been discussing, but until I move to a house where I can accommodate such notions it'll have to wait

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #20
    Join Date: Feb 2008

    Location: Down South

    Posts: 2,413
    I'm Neal.

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    Our sitting room / listening room backs on to our dining room through some double doors. My system resides in the dining room and the 'speakers reside in the sitting room. The 'speaker cables are 5m long (which is too much but they are fixed length) and I needed to cut a channel in the concrete floor under the doors where the two rooms meet and install a tread plate.

    It was worth it the sound improved as a consequence...however, even in a semi isolated position I find what the kit sits on still influences the sound but to a lesser degree than before. So I'm a firm believer in the importance of isolation.

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