+1, especially with the careful description of the OP's needs
Thanks for the Mackie info too
+1, especially with the careful description of the OP's needs
Thanks for the Mackie info too
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
That's a pretty good reason, I hope you had a man enough amp to drive them
The SCM20SL is good for 40Hz reproduction without a problem imo. They are very surprising considering the size of them. If you happen to wonder where all the weight is coming from, take a look at the magnetic assembly of the bass/mid & the thickness of the magnetic top plate
It's not that different from one part of a set of olympic weights
Bests, Mark
"We must believe in free will. We have no choice" Isaac Bashevis Singer
Bump, just in case anybody is looking!
Alex
ATC SCM20 SL, Hypex UCD400
Location: Norfolk
Posts: 28
My mate has a pair of SCM12. I think they were more or less the same as the 20s from what he said. I'll ask if he still wants to sell if you're interested.
Umm, no, their nothing like the 20's I'm afraid - that's why they're so much cheaper
Not to knock the 12's or any from that series, but the 20's are hopelessly over-engineered and as said above, that's part of the charm, even if the end result is a bit tractor like - Billy Woodman was a fan of tractor engineering and had a small collection at one time
By the way, the bass on 20's may go down smoothly to 40Hz, but there's little energy there in all honesty, a characteristic of ALL small boxes, no matter who makes them or the fanciful spun out claims of certain manufacturers, and the bass just cannot "breathe" as it can with a GOOD larger speaker - I have a "thing" at the moment about people shouting at me that speakers with curtailed bass are actually "correct" and that anything with more extension and power is actually booming for a small but oft repeated variety of reasons
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
Location: Norfolk
Posts: 28
Ok, sorry. I think what he actually said was, according to ATC bloke, they were closer to the quality of 20s than the 11s that superceeded them.
The bass-lightness isn't something I'm worried about. More importantly, they need to have a smooth roll-off which makes it easy to judge the low-end. Currently, my A7s begin to roll off rather suddenly around the bottom half-octave of an upright bass (despite what the spec sheets might say).
I'm also a big fan of sealed cabinets, significantly faster bass and in the case of over-damped designs, significantly reduced harmonic distortion.
Alex
ATC SCM20 SL, Hypex UCD400
I can name a few porty boxes where the port doesn't "sound" at all, including ATC's bigger models where next to nothing came out of them
The 20's will definitely do what you want. I sold a number of these into various rooms and a notable one was a "concrete box" in a flat which was the worst room I think I've ever heard. They coped amazingly well in here and the client bought them.
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
Oh yes that's of course the case, but I meant most of the smaller ones. I've heard very few compact ported boxes where I thought the low-end was any good.
I think I've found a pair. There's a studio in London selling some. They look to be showing some signs of use however, with a few knocks and bangs here and there, especially on the baffle from what I can tell with the image I've seen so far.
Does anybody know what material the front baffle is made out of, and how easy it'd be to touch-up?
Alex
ATC SCM20 SL, Hypex UCD400