Recent discussions prompted me to do some more reading on VTA and the effects it can have on the sound quality. What I took away from my brief study is the conclusion that optimal VTA can vary from LP to LP. But for each particular LP, optimal VTA can only be determined empirically, that is to say, by LISTENING.
Here is where I get confused -- if I am to determine an optimal VTA by listening, that means that I would have to play the record and listen to it, stop the playback, modify the VTA, play the record again and listen to the effects new VTA brought, then stop the playback, readjust the VTA and so on. Rinse, repeat.
So the above exercise means that I'll be in the short period dragging the stylus repeatedly over the same grooves, as I'm fishing for the best results. So where's the problem? Well, from what I've learned about the vinyl playback, each time the stylus is tracking the grooves, the friction generates fairly high heat. And since the vinyl is pretty susceptible to high temperatures, repeat friction may permanently alter and even damage the grooves. That's why it is recommended to wait at the minimum one hour before replaying the same side of an LP.
This fishing-for-results approach to VTA setting seems to put the grooves at risk. Especially if we're talking some rare, valuable pressing. So how do you guys go about mitigating this risk of damaging your grooves while playing with VTA?