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Thread: Sounds light on bass

  1. #11
    Join Date: Mar 2012

    Location: London

    Posts: 262
    I'm david.

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    Chris, I'm sorry but I genuinely don't know what you are getting at.

    Andy/Martin

    The phono pre should be on the right settings. I set it at 47k load for my previous cart which was the Stanton 500 II and haven't touched it since

    I'll recheck the arm set up again tonight to ensure that I haven't cocked something up.

    Thanks again
    System:

    SL1210 > Whest PS 3.0RDT> Audio Research LS17 pre> Lyngdorf RP1 room correction> Lyngdorf sda 2175 > Monitor Audio Platinum 300 speakers

  2. #12
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi David,

    You could just be hearing the difference between the Stanton and the Audio Technica, which I why I said before that the latter would not be an overall upgrade.

    AT cartridges do tend to sound somewhat bass-light (and a little bright and forward), which is why I generally don't like them. I'd refit the Stanton, setting it up properly again in the process, and see whether the bass weight you're missing now returns

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #13
    Join Date: Mar 2012

    Location: Copenhagen, Denmark

    Posts: 34
    I'm Claus.

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    I think my AT120E does have a lot of bass

    David, what cables do you use? I have tried 4 different cables and it was amazing how different the sound was and how much bass you heard from cable to cable.

    Now I don't know how light the bass is but was it possible that the cartridge needed some "burn in"-time?
    Modded SL1210 :Ortofon 2M Black/AT120E/Sumiko headshell/Jelco SA750D/PH SR5 PSU/MN bearing/Isonoe feet/Oyaide MJ-12/Oyaide STB-MS/Oyaide BR-ONE/Holfi Integra 5.1/Holfi Xara NFB REX/Musical Fidelity X-LPS v8/Musical Fidelity X-PSU v3/Modded Monitor Audio GS20 (rewiret and with WBT terminals)

  4. #14
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Dinodale View Post
    I think my AT120E does have a lot of bass
    It's all relative (subjective), and system-dependent (particularly with speakers), Claus. What may be "a lot of bass", to you, could be 'bass-light' to David, particularly when he's used to the powerful and weighty sound of the Stanton, when thumping out dance music!

    The AT is liable to sound a little 'anaemic', in comparison.

    David, check that you've wired the cartridge correctly, too. I've heard cartridges sound strangely 'weird', tonally, and not just out of phase, when the blue and green earth wires (for example) have been mixed up.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #15
    Join Date: Mar 2012

    Location: Copenhagen, Denmark

    Posts: 34
    I'm Claus.

    Default

    Quote Originally Posted by Marco View Post
    It's all relative (subjective), and system-dependent (particularly with speakers), Claus. What may be "a lot of bass", to you, could be 'bass-light' to David, particularly when he's used to the powerful and weighty sound of the Stanton, when thumping out dance music!

    The AT is liable to sound a little 'anaemic', in comparison.

    Marco.
    Yes, no doubt it is dependent on the system, the location, what kind of music and sound you are used to hear etc.
    Almost everytime I have made an upgrade especially on my Techie I have heard a change in the sound. Some vinyls became much more fun to listen to while others became dull. Later again after a new change it became the opposite.

    That only makes it so hard to try to help David when you can't hear his system
    Modded SL1210 :Ortofon 2M Black/AT120E/Sumiko headshell/Jelco SA750D/PH SR5 PSU/MN bearing/Isonoe feet/Oyaide MJ-12/Oyaide STB-MS/Oyaide BR-ONE/Holfi Integra 5.1/Holfi Xara NFB REX/Musical Fidelity X-LPS v8/Musical Fidelity X-PSU v3/Modded Monitor Audio GS20 (rewiret and with WBT terminals)

  6. #16
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,325
    I'm Andrew.

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    Quote Originally Posted by Marco View Post
    Hi David,


    AT cartridges do tend to sound somewhat bass-light (and a little bright and forward), which is why I generally don't like them. I'd refit the Stanton, setting it up properly again in the process, and see whether the bass weight you're missing now returns

    Marco.
    You sure about that Marco, mine sounds like a sledge hammer in yer face
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker



  7. #17
    Join Date: Apr 2011

    Location: London

    Posts: 4,419
    I'm Robert.

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    Personally i think the Op needs to re-address set up and try to get that right, we know it can take time. Secondly he has stock arm so should be able to play with vta quite easily. Off my head I know that there's a point where too much one way and the treble will dominate ie less bass, too much the other way and the bass will dominate instead. More tail up causes one effect, more tail down cause the other - one of the guys will remember which does what - The Ops trick would be to listen and find the balance between those two points somehow - Hope I'm making sense .

  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by REXTON View Post
    You sure about that Marco, mine sounds like a sledge hammer in yer face...
    Lol - well yours is a much higher quality AT cartridge, on a very different T/T (modification-wise) from David's! Besides, you might think that until you heard the difference, say, a Zu or Denon DL-103SA made, in comparison

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #19
    synsei Guest

    Default

    The 440mla is particularly sensitive to VTA so spend a while to get it right before you ditch it for the Stanton. Marco is absolutely correct about the sonic differences between the two carts. The 440 can sound horrible if not set up correctly and in a system that errs towards brightness. I'd also argue that the standard Techie arm is not an ideal match for the AT...

  10. #20
    Join Date: Nov 2008

    Location: Valley of the Hazels

    Posts: 9,139
    I'm AMusicFanNotAnAudiophile.

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    Quote Originally Posted by indus View Post
    Chris, I'm sorry but I genuinely don't know what you are getting at
    A picture paints a thousand words.
    There might be something very obvious that can be seen but is not being mentioned.
    Chris



    Common sense isn't anymore!

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