+ Reply to Thread
Page 2 of 3 FirstFirst 123 LastLast
Results 11 to 20 of 28

Thread: External crossovers - any improvement in SQ?

  1. #11
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by sq225917 View Post
    Improvements are more likely to come from enhanced layout in the XO, orientation of coils etc than from reduction in drive unit induced vibration which has never proven to exert a measurable effect on the sound.
    Just because it's not yet been proven, doesn't mean that the effect doesn't exist!

    I think you're stuggling to grasp that AoS is first and foremost a subjectivist forum, where ears will always be trusted more than measurements, especially when the latter are considered as not 'fit for purpose'.

    If you can't embrace and accept that concept, Simon, (as outlined in our ethos), then I'm not sure there is much point in you being here, particularly when others have expressed that your presence, when in 'objectivist mode', is more than a little irritating.

    Marco.

    P.S You'll be receiving a PM shortly regarding this and your reply to me regarding your unfortunate remarks on pfm about the members of AoS.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  2. #12
    Join Date: Oct 2010

    Location: London

    Posts: 172
    I'm Ron.

    Default

    I've got the same setup - Hartle's Type 24 and the original crossovers. Why would recapping the originals sound better than the Type 24?

    I've bought a pair with the Type 24 and the originals as spares so I am all ears to suggestions.

  3. #13
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,325
    I'm Andrew.

    Default

    Quote Originally Posted by Marco View Post

    P.S You'll be receiving a PM shortly regarding this and your reply to me regarding your unfortunate remarks on pfm about the members of AoS.
    Can you provide a link... I'd like to read these comments.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker



  4. #14
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,166
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

    Default

    Quote Originally Posted by sq225917 View Post
    If we were talking phonostages then I'd be interested in capacitor vibration, but at speaker level, you can smash those caps with a hammer and it won't effect the output. Not unless you have some real junk in there.
    So let me see if I can get where you are coming from... A capacitor in a phono stage that is likely to be in a pretty well sealed case (unless it's a Krell ) which is likely to be a good distance from the speakers & therefore far less likely to be shaken about is more of a worry than one that is having pressure variations due to bass frequencies put about it in a loudspeaker enclosure

    Ok, so the phono stage is probably seeing a lot less voltage accross the cap, though apart from a cap accross the input the only others I can think of in a decent phono stage are in the feedback & RIAA stages - so at higher voltage.

    Now while these phono stage capacitors might have a few hundred millivolts to deal with, I'm sure there is going to a massive difference in vibration/ compression effects etc in a speaker enclosure, like on the order of at least 100 - 1000 times as much. I mean just think about the internal volume of a speaker compared to the average room it'll be placed into
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  5. #15
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,796
    I'm Stephen.

    Default They're JR 149's but not as we know them Jim

    Day off today so time aplenty to install the Type 24's - less than an hour for the pair - simples

    Didn't even bother listening to them for 5 or 6 hours - just put the tuner on and went off to get new suit and stuff for my daughters' wedding next month (need an emoticon for "mixed emotions:")

    Anyway - first thing to note -Graham did a great job with them - no snap, crackle or pops - quiet as can be.

    The type 24's totally change the character of the 149's. They are more dynamic (faster) more revealing of low level detail and more "precise". Presentation is a tad further forward vocals sound more natural (only listened to Bruce Springsteen, Pink Floyd and Thea Gilmore so far). The percussion - esp clocks on Dark Side are awesome. BUT - bass is light compared to the previous crossovers. What there is is detailed, tuneful and controlled but while the previous ones didn't go low the new ones lack any slam that was present before. "mid bass" like cello's are lovely and natural but double bass and kick drum are just not doing it for me. It's like they are now a "modern" speaker as opposed to a vintage one. Certainly don't have the "warmth" the previous ones had with the Quad's. I'm liking the new realism in the mid-upper frequencies and they certainly get my foot tapping (PRaT) but only time will tell if the bass shyness is a deal breaker.

    The new foams look the part I think.

    Steve
    Attached Images Attached Images
    Always a little further

  6. #16
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,166
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

    Default

    Any chance of a picture of the original crossover components? It may well be that the big inductor feeding the bass/mid now has a lower DC resistance, this would lower the Q of the driver in the enclosure & make the bass sound drier, or if you like there would be less of it but it'd be cleaner

    You could probably swap it out & you should still get the clean mids but with your old bass...

    Just a thought

    E2A:- the foam now looks just like the originals - nice!
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  7. #17
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,796
    I'm Stephen.

    Default

    From your lips to God's ear

    Steve
    Attached Images Attached Images
    Always a little further

  8. #18
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,585
    I'm Deleted.

    Default

    That's funky!
    Account Deleted

  9. #19
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,166
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

    Default

    Oh crap, they are totally different While the new one looks like it's 18Db/octave on both legs there are vastly more components on the older version & I can't see the circuit either
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  10. #20
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,796
    I'm Stephen.

    Default

    Quote Originally Posted by Reid Malenfant View Post
    Oh crap, they are totally different While the new one looks like it's 18Db/octave on both legs there are vastly more components on the older version & I can't see the circuit either
    Circuit diagrams for both x-overs here: http://jr149.wordpress.com/jr149-cir...or-crossovers/

    Steve
    Always a little further

+ Reply to Thread
Page 2 of 3 FirstFirst 123 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •