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Thread: Anally retentive.

  1. #11
    Join Date: Feb 2012

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    I'm Jay.

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    Quote Originally Posted by Patrick Dixon View Post
    I guess that would be the same arc that the record is cut with? Otherwise it would be useless ...
    It's the arc that a stylus tip will trace if properly set up on a particular arm. The geometry depends on the arm parameters, not the way the record was cut (which is done with a linear tracker anyway).

  2. #12
    Join Date: Mar 2010

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    Patrick i'm surprised you're not arm geometry savvy, a man of your skills. ;-)
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  3. #13
    Join Date: Jan 2011

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    I'm afesteringvinylphile.

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    Quote Originally Posted by Patrick Dixon View Post
    I guess that would be the same arc that the record is cut with?
    It is if you're using one of those who-zee-muh-whatzit's you see in Clive's avatar, affixed slightly northeast of the platter.
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  4. #14
    Join Date: Apr 2008

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    Quote Originally Posted by WOStantonCS100 View Post
    It is if you're using one of those who-zee-muh-whatzit's you see in Clive's avatar, affixed slightly northeast of the platter.
    I expect than a specific example of an arc can be a straight line

    I can't state too strongly how much easier it is to setup a cartridge once overhang is correctly set. Using a jig, whether Dr F or homemade, make the overhand setting easy too. Maybe I'm just useless at setting up cartridges but it's always seemed to me that using a 2 point protractor to set overhang (north / south) and angle (east / west) at the same time is fraught with potential for error. Setting north / south first hugely speeds to process when I exercise my inadequate skills!

    Even with a // arm overhang is the first thing you set.
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  5. #15
    Join Date: Mar 2009

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    I'm Patrick.

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    Oh I'm perfectly savvy - my point is that with a pivoted arm you will always have tracking error, so the only questions are where on the record it will be right, and how much out will it be elsewhere.

    I'm therefore extremely skeptical that it matters that much in reality if you're a little bit out from someone's idea of 'correct'.

  6. #16
    Join Date: Jan 2009

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    You make a fair point - often one is simply moving the position of the null points - they still exist, just not exactly at the arbitrary points Baerwald etc dictate. Offset angle is another matter.
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  7. #17
    Join Date: Mar 2010

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    I'm Simon.

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    Patrick, I assumed you knew. Truth is it's one of those down to personal taste things, do you prefer minimum EOS distortion and are willing to trade that off for a null further in from the start of the record and higher SOS distortion, or do you maybe prefer lower RMS distortion and align accordingly.

    Fortunately because I' m generously hung it's not an issue for me.
    Kuzma Stabi/S 12", (LP12-bastard) DC motor and optical tacho psu, Benz LP, Paradise (phonostage). MB-Pro, Brooklyn dac and psu, Bruno Putzeys balanced pre, mod86p dual mono amps, Yamaha NS1000m

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