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Thread: Over Rated Vintage Equipment! What do you think?

  1. #21
    Join Date: Mar 2008

    Location: Galashiels

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    I'm inthescottishmafia.

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    Very good from what I heard, but there was a problem with the cart, so we only got to listen for a couple of minutes. hopefully next time we'll get a better listen. Lovely looking deck too.

  2. #22
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    Ahh thats a real shame Its a really fantastic deck
    It really loves Decca cartridges but a Denon 103 with a decent headshell will sound pretty good too
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  3. #23
    Join Date: Mar 2008

    Location: Galashiels

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    I'm inthescottishmafia.

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    Yes, love the thick slate chassis.

  4. #24
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

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    I'm David.

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    Quote Originally Posted by Beobloke View Post
    They're (SME) not just "better performing", but in a completely different class, IMHO.
    Is that in the way they look, or do they actually sound better? If the latter, WHY??????? Is it the wiring (easily changed on the Rega). It can't be the resonances, as both are pretty benign and the bearings are world class on both the SME's AND the RB300 series - the 250 not being as good in absolute terms (sloppy - in comparison - brass loc-tited shafts etc...)
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  5. #25
    Join Date: Dec 2008

    Location: Yorks

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    I'm Nobody.

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    Since whens this topic been about modern TTs??

  6. #26
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    Thread drift lol Sorry
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  7. #27
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 13,696
    I'm inthescottishmafia.

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    Have a listen Andre, it may surprise you.

  8. #28
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    Nay fanks

  9. #29
    Join Date: Jul 2009

    Location: Hampshire, UK

    Posts: 3,665
    I'm Adam.

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    Quote Originally Posted by DSJR View Post
    Is that in the way they look, or do they actually sound better? If the latter, WHY??????? Is it the wiring (easily changed on the Rega). It can't be the resonances, as both are pretty benign and the bearings are world class on both the SME's AND the RB300 series - the 250 not being as good in absolute terms (sloppy - in comparison - brass loc-tited shafts etc...)
    With all due respect, anyone who says an SME V sounds the same as an RB300 needs a new cartridge, more revealing speakers, a box of cotton buds or a visit to a naughty nurse with an ear syringe!

    Another thought - I had a long chat with a certain gentleman who knows more about tonearms than the rest of us have forgotten about them a few years back and he does some spectacular things with Regas. However, the only thing he's ever done to an SME V is to change the wiring - his observation was that he would struggle to improve on the rest of it.
    Engineers: fixing problems you didn't know you had in ways you don't understand.

  10. #30
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    The SME V is a great tonearm, providing:

    A) The cartridge and T/T you're using suits its somewhat dark and 'over-damped' sonic signature (or vice versa). 'Toppy' sounding MC cartridges, such as OC-9s and Lyras, work a treat!

    B) You're willing to pay for the 'prestige value' that comes with owning anything which has an SME badge on it. The 'sound-per-pound value', sought by most, therefore, is considerably diminished.

    It is, however, an unquestionably superbly engineered tonearm.

    I am not a fan of most stock Rega tonearms, for reasons that I have documented here on many occasions. I'd have a Pro-Ject 9CC, Roksan Nima, any of the Jelcos, or a Hadcock, before I'd have any Rega tonearm, short of an RB1000.


    Marco.

    P.S Got your PM. Soz for not replying yet - will do later. I've been loaded with the cold the last few days, so all I've been doing is sleeping and drinking hot toddies!
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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