I can't even say the LP12 changed my life, as when we had our LP12 it was older than I was. I'm sure it affected my life though, but it can't have changed it.
I can't even say the LP12 changed my life, as when we had our LP12 it was older than I was. I'm sure it affected my life though, but it can't have changed it.
Don't know the Kenwood 5020, although I have heard some Kenwood amps that have been very good indeed.
Ben Duncan mains conditioner
2022 MacBook Pro 14" M1 Pro 10/16/16/16
Samsung QE75Q90T 75" QLED TV
XMOS DSD Async USB to Coax converter
RME Audio ADI-2 FS (AK4493) DAC
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Edifier S3000 Pro active speakers
Atacama SE24 stands
Posts: 505
Dyna gear and Dahlquist DQ 10's, but not together. Both showed me what could be.
Hear your music, not your speakers
Anyone remember early Nightingale Loudspeakers? Or large Dalesford/Kef kits?
Also a particular HK pre power, and a Rotel 1412 integrated, and a very small bright red Technics automatic turntable.
And my Kef R105.4
First ever thing though, a pair of small Wharfdales, I still remember spending hours watching those bass cones with rubber surrounds pumping in and oot.
Damn I have too many memories of old kit, the pro's and con's of living in Edinburgh at the height of the second hand shop extravaganza, just about every few weeks something got broke, bored with or replaced with something I liked better.
The days before ebay, where anything old or in teac wood finish went for cheap, before people knew what was worth what.
Memories......
I still liked the old Nightingale transmition line with a Kef B139, peerless mid (cupped rear) and Isophon tweeter on top in open bafles, and would like another mint Rotel RA-1412, even back then (late 80's if I remember) it was an expensive second hand purchase.
Last edited by sastusbulbas; 07-02-2008 at 03:23.
My second pair of speakers were a pair of Mercury S exactly like that!
My first step onto the path of loudspeaker righteousness came a few years later with Rogers LS4a2. Just a smallish sealed two-way but they offered a hint of the classic "BBC monitor" sound which I followed up with several more Rogers (LS7t, LS5/8) and then a pair of Harbeth Compact7s which in many ways are still possibly the best balanced speaker I've had. Lovely things.
I resisted the lure of CD until 1992 when I jumped in at the deep end and bought a new Marantz CD-94 Mk2, one of the last in the country. It has made a good few "fancy" newer machines sound a bit stupid over the years and at the time was an absolute revelation.
Ben Duncan mains conditioner
2022 MacBook Pro 14" M1 Pro 10/16/16/16
Samsung QE75Q90T 75" QLED TV
XMOS DSD Async USB to Coax converter
RME Audio ADI-2 FS (AK4493) DAC
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Edifier S3000 Pro active speakers
Atacama SE24 stands
Posts: 505
[QUOTE=enbee23;1320]
Just puzzled as to why there's a Musical Fidelity 'B1' stuck in the rack!
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi
Posts: 544
1969 in an all night illicit West Indian drinking club at the back of a shop in West Green Road, Tottenham. Can of Red Stripe in one hand, smell of a good grass doing the rounds and goat curry and rice and peas on the bubble. Mad stoned Rastaman playing import early ska and old calypso and some Sam and Dave etc on beaten up 45's. System Garrard SP25 (unknown Cart) feeding (I think from my memory) a Linear Concord L50, driving an enormous marine ply open baffle fitted with Goodmans 18inch and Midax and Trebax horns. Brain shaking, even building shaking. BUT what music, not Hi-Fi, not clarity, but shear exuberant body moving noise, it would eat you, you had to become part of it.
A defining moment for me when I realised that music and Hi-Fi were too different things. Every thing hifi then was designed to reproduce the human voice and an orchestra. For me it gave a purpose to my as then hobby to try and square the circle, I want that vibrance and life but I want the clarity as well.