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Thread: Mika K's system

  1. #31
    Join Date: Feb 2011

    Location: Sarf Lunnon

    Posts: 2,068
    I'm Dave.

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    Quote Originally Posted by Mika K View Post
    You didn't used to be Chris Evans did you...
    In - Tweaked Lenco GL75, Linn Ittok, Ortofon Cadenza Black
    Through - Croft Micro 25 RS LS, power R monoblocks, RIAA R. Ortofon ST-80 SE SUT.
    Along - Tellurium Q Ultra Black cables
    Out - Harbeth SHL5 Plus XD's

    Street photography


    Dave

  2. #32
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 13,696
    I'm inthescottishmafia.

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    Quote Originally Posted by The Grand Wazoo View Post
    Eeeek! Now that would be something to hear.
    Yes indeed, I bet they are quite something.

  3. #33
    Join Date: Apr 2011

    Location: Finland

    Posts: 1,185
    I'm Mika.

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    They are indeed.

    But perhaps should have mention that the guy leaning to the stacked ESLs is the proud owner and not me. Just to make it clear

  4. #34
    MartinT Guest

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    ARA (of SME) only used to have double-stacked Quads, those must really be something.

  5. #35
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    Triple 57's! .. i've head pairs they are good as it is..

  6. #36
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,937
    I'm ChrisB.

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    I'd be interested to understand the geometry of mounting three of those in a (presumably) bespoke stand. The angles you choose for tilting them back must be fairly critical for the best sound, I'd have thought.
    A stacked pair has the bottom one angled to point very slightly downwards & the top one a little up & this works well in rooms with average to large ceiling height. But how would you arrange three? The sheer height of the construction must surely have the top one firing almost exclusively at the ceiling unless you have a cavernous room?

  7. #37
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,166
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

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    Quote Originally Posted by The Grand Wazoo View Post
    But how would you arrange three?
    Assuming they were all driven together with no delay applied to the centre 57 i think the top one & bottom should be angled so that the tweeter panels are the same distance from the listener, a little like this:-

    ./
    |----------listener
    .\

    Otherwise there would be a lot of cancellation due to comb filtering imo
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  8. #38
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,166
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

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    Actually, if you look carefully at the picture i think you'll just about to be able to make out that this may well be the case The frame definately looks (though it is difficult to make out) as though it is bowed towards the listener at the top & bottom & the panels look flush to the sides
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  9. #39
    Join Date: Apr 2011

    Location: Finland

    Posts: 1,185
    I'm Mika.

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    Mark understood perfectly the shape of the stacked ESLs. They really are angled so that the hot spot is approximately 4.5-5m from the speakers. This works extremely well as the directivity is really tight and really nails the performance to its place.

    I have some pics of the ESL shape taken from the side and will try to post this here later..

  10. #40
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,937
    I'm ChrisB.

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    So how was the distance of 4.5 - 5 metres settled on? Was it purely to suit the specific room?

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