In - Tweaked Lenco GL75, Linn Ittok, Ortofon Cadenza Black
Through - Croft Micro 25 RS LS, power R monoblocks, RIAA R. Ortofon ST-80 SE SUT.
Along - Tellurium Q Ultra Black cables
Out - Harbeth SHL5 Plus XD's
Street photography
Dave
Location: Finland
Posts: 1,185
I'm Mika.
They are indeed.
But perhaps should have mention that the guy leaning to the stacked ESLs is the proud owner and not me. Just to make it clear
ARA (of SME) only used to have double-stacked Quads, those must really be something.
Location: Yorks
Posts: 16,643
I'm Nobody.
Triple 57's! .. i've head pairs they are good as it is..
Location: Lancaster(-ish), UK
Posts: 16,937
I'm ChrisB.
I'd be interested to understand the geometry of mounting three of those in a (presumably) bespoke stand. The angles you choose for tilting them back must be fairly critical for the best sound, I'd have thought.
A stacked pair has the bottom one angled to point very slightly downwards & the top one a little up & this works well in rooms with average to large ceiling height. But how would you arrange three? The sheer height of the construction must surely have the top one firing almost exclusively at the ceiling unless you have a cavernous room?
Assuming they were all driven together with no delay applied to the centre 57 i think the top one & bottom should be angled so that the tweeter panels are the same distance from the listener, a little like this:-
./
|----------listener
.\
Otherwise there would be a lot of cancellation due to comb filtering imo
Bests, Mark
"We must believe in free will. We have no choice" Isaac Bashevis Singer
Actually, if you look carefully at the picture i think you'll just about to be able to make out that this may well be the case The frame definately looks (though it is difficult to make out) as though it is bowed towards the listener at the top & bottom & the panels look flush to the sides
Bests, Mark
"We must believe in free will. We have no choice" Isaac Bashevis Singer
Location: Finland
Posts: 1,185
I'm Mika.
Mark understood perfectly the shape of the stacked ESLs. They really are angled so that the hot spot is approximately 4.5-5m from the speakers. This works extremely well as the directivity is really tight and really nails the performance to its place.
I have some pics of the ESL shape taken from the side and will try to post this here later..
Location: Lancaster(-ish), UK
Posts: 16,937
I'm ChrisB.
So how was the distance of 4.5 - 5 metres settled on? Was it purely to suit the specific room?