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Thread: High-quality capacitors needed for valve amp PSU

  1. #51
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

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    All that copper porn is too much for my ticker..

    I know you'll have some fun running it back in Marco.
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  2. #52
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Cheers, matey - it'll be going in later

    Never mind the copper porn, what about the Soul Monoblock porn behind!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #53
    Join Date: Oct 2008

    Location: East Yorkshire, UK

    Posts: 1,224
    I'm Mark.

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    Quote Originally Posted by Marco View Post
    Just to update this thread, folks... Anthony has just finished re-capping the PSU in my Copper amp. High-quality F&T (German made) electrolytics were used, bypassed with Clarity Cap MR polys:




    The wiring looks fantastic, all nice and straight and neat and tidy and routed for techical reasons.
    Its nice to see inside things

  4. #54
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Arrow An Update.....

    Cheers, Mark!

    Guys, just an update on how the amp sounds since the power supply caps were changed..... After a period of burn-in, where initially the change had introduced an element of 'hardness' in the sound, the amp now sounds simply stunning!! The Clarity Cap MRs are definitely not for those seeking to create a 'sweet' or euphonic sound, but rather for people who value achieving a high level of accuracy and a genuine 'open window' onto all recordings.

    The 30+ year-old Plessey electrolytic caps that were in the amp before were obviously well past their sell by date, and had introduced a slight 'mushy' quality in the sonic presentation of the Copper amp. Consequently, after having fitted the new F&T electrolytic and Clarity Cap MR polys, the copper amp has become a real 'animal', with seemingly endless reserves of headroom and power (through my Tannoy Lockwoods). And the bass, whilst not exactly lacking before (!) has gained more weight and extension, but with it, more control, grip and drive, resulting in foundation-threatening low frequencies, delivered with unflappable and consummate ease!

    Honestly, with the right material, this amp sounds utterly frightening now... It may 'only' be 50W Class A, but it sounds as powerful and 'massive' as ANY 'powerhouse' solid-state amp I've heard, and in conjunction with my 95db efficient Tannoys, creates a palpable facsimile of 'live' music in my smallish (but perfectly formed) room.

    However, not only have the cap upgrades massively improved the 'physical' presentation of the amp's musical delivery, but when delicacy and subtlety are called for, such as when teasing out inflections and wringing every ounce of emotion from the most sensual and angst-ridden of female vocals, the Copper amp presents them as shockingly vivid, for critical inspection, and with such a wide-open and crystalline clarity that the listening experience transcends that of a mere recording, and enters the domain of an almost live, 'living and breathing' musical event.

    Consequently, I would recommend the combination of F&T electrolytic and Clarity Cap MR polypropylene capacitors to all DIY audio enthusiasts seeking to achieve superb results in power supply applications with all quality valve equipment!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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