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Thread: New acrylic platter for the SL-1200/1210

  1. #21
    Join Date: Nov 2008

    Location: Valley of the Hazels

    Posts: 9,139
    I'm AMusicFanNotAnAudiophile.

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    Quote Originally Posted by mike1210 View Post
    Marco I had a similar problem with my 1210 using a Trichord Dino, the output would nuke my SoundBlaster Live, further reading I discovered I needed a soundcard with pre trim on the inputs. Reading forums and the like they said many phonostages wil overload PC inputs unless pre-trimmed.

    I got a Focusrite Saffire which has seperate input gain levels so you can level out the recording well.

    Is that what you meant, sorry if I read it wrong
    Hi Mike

    You read it right - nuking the inputs is a good description of what was happening on Saturday with the SUTs in circuit.

    Cutting the levels by half with line attenuators should do the trick.
    Chris



    Common sense isn't anymore!

  2. #22
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
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    Quote Originally Posted by pure sound View Post
    With regard to recording; I don't use a Soundcard/USB device. I just use a cheap Tascam CD Recorder and burn the tracks to a blank disc which I then take to my computer, import & upload. If the recording needs the start or finish editing I do that in Wavepad but I don't use any normalising or level adjustment. Recording level is set at the CD Recorder. Actually I set the recorder to highest sensitivity & use the gain control on my phono stage to set to the desired level.
    Sorry, mate, but I'm afraid that's all double-Dutch to me...

    Could you explain what you do, step by step, in simple layman's terms? Churz!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #23
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
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    Hi Chris,

    You read it right - nuking the inputs is a good description of what was happening on Saturday with the SUTs in circuit.

    Cutting the levels by half with line attenuators should do the trick.
    Let's hope so. What do you make of Mike's suggestion though in comparison - or how Guy does it (presuming that, unlike me, you understand his method)?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #24
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,585
    I'm Deleted.

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    Guy has a bit of Pro audio equipment made by Tascam - it's like a tape deck but records to CD and has it's own A2D and D2A built in.
    Account Deleted

  5. #25
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    Cool. So would it be better buying one of these than having a sound-card?

    Basically, I'm looking for the simplest, quickest, best sounding solution possible, for non-technical numpties, where high gain from my SUT isn't an issue.

    Therefore, I'm open to all suggestions

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #26
    Join Date: Nov 2008

    Location: Valley of the Hazels

    Posts: 9,139
    I'm AMusicFanNotAnAudiophile.

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    Quote Originally Posted by Marco View Post
    Hi Chris,



    Let's hope so. What do you make of Mike's suggestion though in comparison?

    Marco.
    Trimming down the input level is exactly what is required - the device Mike mentioned looks like it has more control over signal level than the EMU0202.
    I've just been scanning through the user manual, and there is a -10dB pad that can switched in to calm the signal for each channel. So there is greater inbuilt flexibility than you get with the EMU.
    I still reckon that a -6dB line attenuation would be more than adequate to bring the input levels into line.

    To be honest I found it difficult to believe just how much gain the SUT brought to the party.
    I knew that the signal from a low output MC was pretty puny, and that SUTs boot that level up considerably, but I didn't expect the levels to be booted up quite that much.

    I've done quite a few recordings of my own TT running a MM cart into a stand alone phono stage, and never had the levels come in so hot.
    Last edited by Stratmangler; 09-05-2011 at 22:44. Reason: additional information and comment
    Chris



    Common sense isn't anymore!

  7. #27
    Join Date: Aug 2009

    Location: Cardiff

    Posts: 111
    I'm Mike.

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    http://www.zikinf.com/materiel/photos.php?m=524&p=0

    FYI

    Top 2 knobs do the gain, there are newer cards out now mind from Focusrite

    I then got Mark Grant 1/4 inch Jack to Phono connectors to go from the Dino the input on the Card, made from the 1000HD leads

  8. #28
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

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    I'm Chris.

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    Quote Originally Posted by colinB View Post
    Why not just put a acrylic mat on the platter. SRM do a 3mm one for thirty quid.
    I tried one , it didn't fit properly and sounded a bit hard and shiny , in fact just the way it looks , also because the surface was so shiny , it may be best to use a thin neoprene mat with it .
    Chris

    We've gone on holiday by mistake !

  9. #29
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Trimming down the input level is exactly what is required - the device Mike mentioned looks like it has more control over signal level than the EMU0202.
    I agree. I suppose that putting some 6db phono attenuators in-line is effectively the same as using the gain control switches on Mike's Saffire

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #30
    Join Date: Nov 2008

    Location: Valley of the Hazels

    Posts: 9,139
    I'm AMusicFanNotAnAudiophile.

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    Quote Originally Posted by Marco View Post
    I agree. I suppose that putting some 6db phono attenuators in-line is effectively the same as using the gain control switches on Mike's Saffire

    Marco.
    Yup
    Chris



    Common sense isn't anymore!

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