Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi
Location: gone
Posts: 11,519
I'm gone.
IME (having - briefly - owned one) and from general forum banter, the Cyrus preamps are the weak link in their catalogue.
The one I had (sorry, forgotten the model) was mediocre in the extreme. Just opaque and boring and bland. It just closed the music down. A passive pre in a Cyrus system or with a Cyrus power amp would be a very interesting thing to try, imo.
Last edited by jandl100; 09-02-2017 at 07:06.
.
Location: gone
Posts: 11,519
I'm gone.
And Exposure gear.
I was at a bake off quite a few years ago, and someone brought along a 'classic' exposure amp.
Everyone else was drooling down their shirt fronts at the sound when inserted into the system - but it just seemed rolled off, coloured and cloudy to me. Your missing the point, they laughed. Bugger me if there was a point!
A few years later I tried again, a dealer had a 21RC pre on a good deal. Bought it - sheesh, nothing special at all. It was better than that classic amp, but very ordinary.
Maybe Exposure just do things differently, and you have to be in to that particular vibe to appreciate it?
.
The point was you weren't a blinkered fanboy!
Can't stand that sort of pish - folk 'married' to a particular brand... Utter nonsense, and a sign of gross insecurity. If it sounds shit, then it is SHIT, no matter who makes it!!
To the fanboys I would say: WAKE UP, remove the blinkers from yer peepers, and embrace REALITY...
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Must admit, I have little or no time for those who become evangelical over certain brands - even more so when it's to the detriment of other kit. Those who know me, will understand I've been a fan of Exposure amps for many years but would never state them as the be-all. As an all-round package I'd even say my Cyrus rig is the better of the 2 amps I own presently. The Exposure is also extremely fussy where speaker cable and warm-up is concerned. Regarding the latter, it really does take the amp 24 hours to come on-song (this is easy to demonstrate - providing one has the time of course!) or at least a couple of hours' hard use, from being switched off for any length of time.
Regarding cable - I've been using NVA LS6 for a few years now and am yet to find an amp which doesn't like it. The Exposure though (from past experience) really does prefer a simple, multi-strand copper cable of decent weight, ie its own or something very similar. To that end, I purchased some Van Damme Hifi (4mm) from Mark Grant the other day which works incredibly well - even driving the amp hard it doesn't even get the slightest bit warm so clearly a perfect match, electrically.
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi
Always found Exposure gear good but not as good as some would have you believe... Ultimately a bit lacking in transparency and a little "thick" sounding...
Arkless Electronics-Engineered to be better. Tel. 01670 530674 (after 1pm)
Modded Thorens TD150, Audio Technica AT-1005 MkII, Technics EPC-300MC, Arkless Hybrid MC phono stage, Arkless passive pre, Arkless 50WPC Class A SS power amp, (or) Arkless modded Leak Stereo 20, Modded Kef Reference 105/3's
ReVox PR99, Studer B62, Ferrograph Series 7, Tandberg TCD440, Hitachi FT-5500MkI, also FT-5500MkII
Digital: Yamaha CDR-HD1500 (Digital Swiss army knife-CD recorder, player, hard drive, DAC and ADC in one), PC files via 24/96 sound card and SPDIF, modded Philips CD850, modded Philips CD104, modded DPA Little Bit DAC. Sennheiser HD580 cans with Arkless Headphone amp.
Cables- free interconnects that come with CD players, mains leads from B&Q, dead kettles etc, extension leads from Tesco
Might get hottish at amp end, but shouldnt anywhere else
Regards,
Grant .... ؠ ......Don't be such a big girl's blouse
I've said it before and I'll say it again: democracy simply-doesn't-work.... ..... ...... ...... ................... ..... ..... ..... ..... .....
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***SMILE, BE HAPPY***
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi