Marco,
You could always take the 309 off my hands yourself...
Location: Huddersfield
Posts: 3,359
I'm David.
Marco,
You could always take the 309 off my hands yourself...
AYE (not)!Marco,
You could always take the 309 off my hands yourself...
It's a perfectly good arm, really - it's just not a good match for the cartridge you've got (and I suspect not really for your taste in music), or perhaps more importantly, how you like it presented
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Hi Barry,
You can join the Ortofon club with me! Personally, I'd avoid the SME V - stick to the M2-12R, dude. It'll be a much better match for the type of cartridges you likeMmmm! Now that's my next arm or maybe the SME V, or maybe one of the Ortofon's 309?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Oh dear - noisy bearing and not enough torque to turn an Oytherematey mat - me thinks your 401 is unwell, sir!
By the way, I'm glad I'm not the only one who bought one of Mike Greenwood's 401 plinths in lilac. I'm thinking of commissioning a matching lilac Audio Origami PU7 one day...
Engineers: fixing problems you didn't know you had in ways you don't understand.
I'd just like to know what happened to "my" 401 - it was a mint one as well
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
At the Bracknell Audio Jumble today, John Caswell had a nice looking 401 in a large, solid and tidy looking plinth, unsold at £580, which I thought was a good price for something already fettled. If I didn't already have too many record players, I would have had it myself. Very helpful chap, too - he gave me some useful tips on restoring my TD124.
David (Brook, that is) - for the price of that SME M2, there are loads of lovely arms that will work with a good range of cartridges and which sound lovely (an Audio Note Arm1 like mine, for instance, or the 10" Audio Origami PU7 also up on PFM). Also, looking at your 401/309 picture, are you sure that you are able to move the arm out far enough to accommodate and correctly align a 12" arm? It does not look like you have, to me.
Last edited by Ammonite Audio; 17-04-2011 at 18:03.
Hi Hugo,
Yep - I totally agree; hence why I mentioned to David about a bigger (better) plinth, such as the Loricraft (or Slate Audio), at the same time I was recommending him the M2-12Also, looking at your 401/309 picture, are you sure that you are able to move the arm out far enough to accommodate and correctly align a 12" arm? It does not look like you have, to me.
Good call on the PU7 and AudioNote Arm1 - both are superb and should also be considered. Once a suitable plinth is fitted, however, the M2-12 should come into its own, portraying the sonic advantages a good 12" arm brings to the party.
Let's face it though, all of them are leagues ahead of an SME 309!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: Sunbury-on-Thames
Posts: 8
I'm John.
This thread reminds me of a 301 I owned many years ago. Not sure if the 401 has the same motor but in order to reduce the torque, which was designed to cope with heavy cartridge/arm combinations, at that time, owners, myself included, connected a 40 watt bulb in series with the motor and this significantly reduced motor noise. John
It may reduce noise, but you're introducing a fault to cover up another one. A Garrard 401 in a solid plinth shouldn't be noisy. If it is, there's something wrong with it.
The light-bulb trick got rid of the noise made by 401s in boom-box plinths like the SME 2000 or Howland-West, but it also got rid of the power and drive that make the 401 sound so addictive, because the torque of the motor is drastically reduced.