Originally Posted by
tfarney
last night. I played a lossless file of a CD I just bought, Shelby Lynne's tribute to Dusty Springfield, "Just A Little Lovin'."
The midrange - Shelby's vocals, to be exact - actually seemed to open up as I listened to that recording. I know, that's a little nutty. But the first couple of cuts seemed closed-in, veiled a bit, and by the time I got to the end of the cd they seemed more immediate and present. No night and day drama here, pretty subtle, but there it is. Probably my imagination.
By the way, have any of you heard this recording? She doesn't try to sound like Dusty. The phrasing, the emotional content is very different. The arrangements are dramatically different and very surprising given that it is produced by Phil Ramone. It is very simple and immediate. Guitar, bass, drums, piano. It's as if, late one night, you wander into a smoky hotel lounge to find the ghost of Dusty, transformed by the weight of a lifetime of regret, singing with a small jazz ensemble. She's in a pensive mood, and the delivery is so achingly intimate that it makes you feel like an intruder on a private moment, a voyeur.
Great record.
Tim