Not so conclusive on the Yaqin amp at Anthony's yesterday.... There was me liking it lots with Ella Fitzgerald but liking it less with Ray Lamontagne. It was simply too mellifluous and smooth although wide-open and well-separated in terms of imaging and instrumental separation. I can't fault its timing/phase coherence abilities in relative terms either. It simply lacked a little leading-edge attck and tunefulness for my liking.
I now believe that the Soulmate pre has its part to play in a little reticence above having plugged it into my own system. Whilst it works very well in Anthony's own setup, I've found it a little bloated and veiled in my own compared to the Spectral pre that I've now put back into my system. Anthony's Grounded Grid valve pre sees the lot off btw - that is a superb pre that does everything right musically. The Croft may sound a little more wide-open but the grounded grid one-box pre of Anthony's just gets on with pure musicality that little bit better imho, having more in the way of stop-start snappiness to it. Whilst its bass seems leaner and meaner, I've come to realise, especially after trying both the Soulmate and the Spectral since, that its bass is tight, dry and meaningful, fitting in much better with the rest of the frequency range. Both the solid state amps simply sound bloated and veiled in comparison.
Even before this, while at Anthony's and using the Soulmate, I was convinced that Ian would be very happy indeed with the Yaqin after Anthony has improved it beyond recoginition as it is certainly a class performer. My only concern was that it sounded a little too polite in terms of dynamics althouth the separation, timing, coherence and soundstaging were clearly in the Big League.
Perhaps with the Croft or the Grounded Grid it may yet prove to be a class act to compete with the very best out there regardless of the cost.
A comparison with the Puresound AOS of mine may prove to be interesting indeed in a given chosen setup.