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Thread: Technics 1210 internal regulation mods

  1. #81
    MartinT Guest

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    It goes against the design principle of having the regulators as close to the active circuitry as possible, Chris. This keeps voltage drop to a minimum and 'stiffens' the voltage rails. The real villain of the piece, the transformer, is long gone and inside the SR5, where it belongs.

  2. #82
    Join Date: May 2008

    Location: Lancaster(-ish), UK

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    I'm ChrisB.

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    Ah, OK - fair enough then!

  3. #83
    Join Date: Mar 2010

    Location: Sheffield

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    I'm Simon.

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    You could use a reg with Kelvin sense then it wouldn't matter where they were as wire is compensated for in the reg itself.

  4. #84
    Join Date: Jul 2010

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    Quote Originally Posted by sq225917 View Post
    You could use a reg with Kelvin sense then it wouldn't matter where they were as wire is compensated for in the reg itself.
    Indeed, this is exactly what was employed on various SMPS that I used to mess about with in my previous job



    Looking forwards to seeing how it all pans out Martin
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  5. #85
    Join Date: Nov 2010

    Location: Yorkshire

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    I'm Andrew.

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    Quote Originally Posted by MartinT View Post
    Here are my Paul Hynes internal regulator upgrades on an already heavily modified SL-1210. This phase 1 involved simply mounting the TDR-21 (twin PR3) regulator board inside the deck, setting one reg to exactly 21V and driving the entire PCB from the one supply. My external SR5-21 became an SR5-27 by adjusting it for 27V output. I went for phase 1 to start with because I wanted to evaluate just a single internal regulator compared with phase 2 which involves a further three regulators (2 x 9.4V & 5V), several components to remove and PCB tracks to cut.

    Opening up the deck and preparing to mount the TDR-21 into the transformer well at top left. Beware those die cast posts! I used a self-tapper just a little too large and broke it inside the post I then attempted to drill it out and broke the drill bit in there Several hours later and I had the situation under control. I also spent some time removing the base and replacing the expired bulb inside the pop-up post with a white LED. This was more fiddly than I expected.



    Showing the TDR-21 wired in and running, generating 21V from the incoming 27V from the already adjusted SR5. Left meter showing SR5-27 output and right meter showing TDR21 motor drive (nearest reg) output. I've also set the other reg to 21V ready for phase 2. There is some settling time with all the Paul Hynes regs so the meters are showing a little drift, which I have now brought back in.



    Phase 1 fully wired and tested.



    That's it for now. There's not enough time to reinstall the arm and get eveything balanced up. I have a two-hour drive tomorrow morning so first impressions and phase 2 coming later in the week
    Well done cant wait for the report.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  6. #86
    MartinT Guest

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    So, I've had time to listen to Phase 1 (two-stage, SR5-27 followed by TDR-21) and I'm rather surprised as I didn't really expect this upgrade to provide any more performance over the SR5-21 alone.

    In fact, there is a further refinement across the board but particularly in the midrange area and the level of the acoustic of the recording versus the surroundings, or the vividness of the presentation if you prefer. Leo summed it up rather well in post #1 as "I did notice a further layer of background muck (best way to describe it) removed".

    Next stage will involve cutting the 21V PCB track and using both sides of the TDR-21 regulator.

  7. #87
    Join Date: Jul 2010

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    Interesting test Martin, I didn't realise you were going to try it both ways. I'd expect the seperated regulators to make the more significant difference
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  8. #88
    Join Date: Oct 2008

    Location: Scotland

    Posts: 316
    I'm Paul.

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    Hi Martin,

    Disregarding your Power Plant, which will be quieter than direct mains connection, you have doubled the supply line rejection of mains born interference and rectification artefacts of your composite Technics power supply, which would drop the background noise level being fed to the control and motor drive circuitry. This would clean up the low-level information presentation.

    The rest of the regulator mods take this a little further although the law of diminishing returns will apply to a degree with this noise reduction, as other circuit noise sources will start to dominate. The additional individual stage regulators will show a more pronounced effect on the reduction of power supply inter-modulation around the circuit power supply distribution on the motor board between the various control circuit stages and the motor drive section. This inter-modulation clutter can be considered as a noise source. Reducing this will also clean up the presentation in quite interesting ways.

    Regards
    Paul
    Paul Hynes Design
    paulhynesdesign.com
    High Performance Power Supply upgrades
    http://theartofsound.net/forum/showthread.php?t=16655

  9. #89
    MartinT Guest

    Default Internal Regulator Upgrade (Phase 2)

    I have now completed phase 2 - separate 21V power supplies to the motor control and motor drive circuitry.

    Showing the cut PCB track to separate the motor control (left side) from the motor drive (right side) electronics. I used a test meter to confirm that the power rails were isolated from each other. A new power wire (seen at bottom) feeds 21V to the leg of C110 for motor drive.



    Reassembled into the deck. The TDR-21 dual regulator pinout is (from the rear) 1. +27V in, 2. disused, 3. disused, 4. +21V out to Motor Control, 5. 0V to chassis earth, 6. +21V to Motor Drive.



    Listening to it, I am hearing interesting things. There is not much change to foreground instruments, but material in the background, deep back into the stage, is now more finely resolved. Tiny cues and things happening in the mix are now clear, what was a 'something' now becomes detectable as a cymbal, bell or other persussive sound. Overall background noise is very well suppressed and that sense of the music coming from a black background is now more pronounced.

    Furthermore, and this is obvious even from another room, the Technics' metronomic pitch accuracy and timing gradually impresses on the mind as better than ever.

    This is excellent, and confirms what Leo and Paul have discovered, which is that two-stage regulation and division of the noisy motor drive from the sensitive motor control is well worth implementing. The TDR-21 custom dual regulator module is a winner, all driven from the excellent SR5-27 outboard PSU. If you stop at this point, you will already have one hell of a good sounding deck.

    I'm going to give it a couple of weeks now, to let everything bed in and to listen to a lot more music. Phase 3 will come later
    Last edited by MartinT; 08-04-2013 at 22:40. Reason: Fixed links after change of photo hosting

  10. #90
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    Respect, and very interesting stuff, Martin! I look forward to reading more of your thoughts on these mods, in due course

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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